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November 2014

Giant Steppes

Winter-sleep-movie-review-haluk-bilginer-melisa-sözen
Mongrel Media

MOVIE REVIEW
Winter Sleep (2014)

"Winter Sleep" crosses the tape at 196 minutes; long enough to watch all of "Once Upon a Time in Anatolia" and then revisit the first quarter of it all over again. Whether Nuri Bilge Ceylan's recent running times are an indulgence, a tactic or a mistake — he himself says that he pays the matter no mind at all — it again allows him to divide a film into formidably gorgeous tectonic plates of narrative, grinding against each other at geological pace while the men and women traveling on them completely fail to understand each other.

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Northern Exposure

Leviathan-movie-review-sergey-pokhodaev
Anna Matveeva/Sony Pictures Classics

MOVIE REVIEW
Leviathan (2014)

"Leviathan" suggests an entire nation marooned in state of despair. Andrey Zvyagintsev's new inquiry into the wrong turns taken by modern Russia reaches much the same conclusions as his previous ones, but tells a more explicitly political tale in the process — which makes the fate of the little people caught in the wash seem even more pitiable and inescapable than ever.

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Cultural Inappropriation

Tokyo-tribe-movie-review-nana-seino-young-dais
BFI Film Festival 2014

MOVIE REVIEW
Tokyo Tribe (2014)

Erstwhile purveyor of inventive Japanese fare Sion Sono follows up his subversive 2013 picture “Why Don’t You Play in Hell?” with yet another dollop of ludicrous cinema. “Tokyo Tribe” is a manga-inspired world of hip-hop gangsters and comic-book villains; grimy, corrupt and fueled by blood, money and women. Mr. Sono’s vision is singular; and his highly stylized tale plays out as a hip-hop musical number, a trope that is as deliriously mad as it sounds: think “The Warriors” meets “West Side Story” with a dash of “Sin City” thrown in for good measure.

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