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August 2017

The Agony and the Effigy

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Parisa Taghizadeh/Sony Pictures Classics

MOVIE REVIEW
Final Portrait (2017)

Stanley Tucci's fifth film as a director – and the first in which he doesn't appear himself – tells an episode from the late life of artist and sculptor Alberto Giacometti, a topic that clearly chimes with Mr. Tucci's long-standing interest in fine art and the turbulent urges that go into its creation. "Final Portrait" features Geoffrey Rush in full shambling dishevel as the 63-year-old Giacometti and Armie Hammer as James Lord, a younger American who sits for one of the artist's last works and starts to wonder if it will never actually be finished. The film has the utmost compassion for artists helplessly at the mercy of their own creativity and libido; and if its small scale keeps the external world mostly out of view, it at least believes the art to be worth all the internal aggro.

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