Open Letter to Will Smith

Photo illustration by Martin Tsai/Critic's Notebook

Dear Will,

First of all, I am a fan. Although I loathed the mindless jingoism of "Independence Day" and the idiocy of "Wild Wild West," I think that "Men in Black" and "Bad Boys" are two of the most entertaining summer blockbusters in recent memory. I also think you are generally underrated as an actor because I remember your fine performances in "Where the Day Takes You," "Six Degrees of Separation" and even "The Pursuit of Happyness," which - let's be real - was some overwrought, Oscar-pandering shit in many ways, but your performance was good nonetheless.

Continue reading "Open Letter to Will Smith" »

Always Plenty of Brass to Go Around

The Times BFI 52nd London Film Festival

Film culture is strong in Bristol. The largest city in the south west of England is home to Aardman Animation and several other long-established production houses, and was traditionally an engine of BBC production; John Boorman once headed the Corporation's mighty Documentary Unit from here. But these are uncertain times. The BBC is retreating to cheaper points of the compass, Aardman are cutting staff numbers, and on the fringes of the Encounters Short Film Festival, Chris Hopewell of Bristol music video producers Collision Films was downbeat about his trade as a traditional starting point for aspiring film makers: "Don't bother," he said. "Music video as a tool for film making has fallen by the wayside under the onslaught of YouTube." The Google Goliath was to be the subject of much debate as the festival progressed.

Continue reading "Always Plenty of Brass to Go Around" »

© 2008-2019 Critic's Notebook and its respective authors. All rights reserved. | Privacy Policy | Terms of Use
Subscribe to Critic's Notebook | Follow Us on Twitter | Contact Us | Write for Us | Reprints and Permissions