Apple TV+
“Wolfs” is the new action-comedy starring Brad Pitt and George Clooney and directed by Jon Watts, who is responsible for the last three “Spider-Man” movies. It should get some butts in seats on these names alone; here we have two of Hollywood’s surviving movie stars who’ve earned their stripes before the industry’s almost complete pivot to IPs in an effort to draw box office. But these household names and their screen personae can be a blessing and sometimes a curse. Case in point: “Wolfs.”
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Fourth Act Film
After centuries of conflict and decades of occupation by the latest foreign army, a country picks up the pieces. Local politics reforms; young men look for work; a diminished government takes stock of its military equipment to work out which guns function and which might fall apart when anyone pulls the trigger. It also ponders, in this case, what to do with $7 billion-worth of the most advanced efficient killing technology in existence, left behind by the United States. For this is Afghanistan in 2021: the weapons are those given to the Afghan government by the U.S. before the latter withdrew chaotically and the former fell apart; and the people finding the stuff left behind are the Taliban.
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Mubi
A movie that revolves around two Georgians in Istanbul, Turkey, looking for someone they know, “Crossing” is very reminiscent of “Central Station.” Ain’t nothing wrong with that! The Walter Salles film is a masterpiece that others should aspire to emulate. It also sets the bar impossibly high.
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Atsushi Nishijima/Searchlight Pictures
Yorgos Lanthimos is one of the few European directors from non-English-speaking countries (in his case, Greece) in recent years to successfully pivot to full-time filmmaking in America. Unlike, say, Lars von Trier or Nicolas Winding Refn, Mr. Lanthimos has been recognized by the Academy with multiple nominations. He’s also lucky that he’s never had to placate Harvey Weinstein.
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Jasin Boland/Warner Brothers Pictures
Furiosa: A Mad Max Saga (2024)
Reviving the “Mad Max” franchise in 2015 after a three-decade gap turned out to be a very good idea for George Miller. So instead of another “Babe” or even “Happy Feet,” we’re getting a Furiosa origin story. Well, there’s apparently a sequel planned for “Mad Max: Fury Road” as well, but that’s a whole other conversation for another time.
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Courtesy photo
This perfectly silly attempt to tell a feminist story set in the Dark Ages is marred by an unusually spiteful attitude to violence. Early on a man is stabbed through the head and delivers a punchline before dropping dead. Later there’s an extended sequence about how difficult it is to throw a body off a cliff in a way which the body’s face is destroyed. It’s this sour tone which lingers despite the cast being a remarkable combination of British comic talent, making “Seize Them!” a misfire.
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BFI London Film Festival
If Only I Could Hibernate (2024)
This was the first ever Mongolian movie to play in the official selection at the Cannes Film Festival, but would have been accepted from any nation. It's an assured and reassuring movie about the importance of education, while also being a fresh entry into the genre of movies about children being forced to raise themselves. Normally such movies are incredibly bleak no matter where in the world they're set, but despite the worrisome title this is not the case here. “If Only I Could Hibernate” is a remarkable testament to the power of the human spirit and the dogged ability of children to create a better life for themselves, if only they have a little help.
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Courtesy photo
Bade Miyan Chote Miyan (2024)
The first half of “Bade Miyan Chote Miyan” is a jolly action buddy comedy which includes our heroes, Freddie (Akshay Kumar) and Rocky (Tiger Shroff), beginning a hostage rescue by riding some horses off the back of a helicopter. The second half of “Bade Miyan Chote Miyan” is a fantasy war thriller based on the password to the scientific shield keeping India safe from missile attack. In both halves the evil villain, Kabir (Prithviraj Sukumaran), strides around in a bedazzled MF Doom mask, a large selection of stylish full-length black coats, and enough evil plans to justify the Indian army going rogue, not that his evil results are terribly impressive. But this is not one of those movies a person is meant to take seriously. We're meant to admire the pretty stars and have a great time knowing the nation is safe in their hands. It's a delight.
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MOVIE REVIEW
Family Star (2024)
He hits her in the face in what is meant to be a sweet love story. He hits her in the face and we're meant to think she owes him an apology for driving him to it. He hits her in the face and it's supposed to show just how committed he is to the welfare of his family that he would protect them at any cost. He hits her in the face in what’s supposed to be a romantic comedy. Better by far to die alone.
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MOVIE REVIEW
Our Son (2023)
It’s no one fault, or it’s both their faults, but even with the best will in the world sometimes marriages just can’t be saved. In the case of book publisher Nicky (Luke Evans) and stay-at-home dad Gabriel (Billy Porter) neither of them has been perfect – overwork here, infidelity there – but the main issue is their different parenting styles for their son, Owen (Christopher Woodley), and the resentment which has seeped in until it’s the only thing they can feel. But “Our Son” is not a gay “Marriage Story,” even if that’s the easy marketing tagline which brought it to BFI Flare. Instead it’s about ordinary adult disappointments between an ordinary couple who happen to be gay and the ways in which their homosexuality directs the choices around their completely ordinary divorce.
Continue reading "Scenes From a Divorce" »