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Trans Mission

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Mubi

MOVIE REVIEW

Crossing (2024)

A movie that revolves around two Georgians in Istanbul, Turkey, looking for someone they know, “Crossing” is very reminiscent of “Central Station.” Ain’t nothing wrong with that! The Walter Salles film is a masterpiece that others should aspire to emulate. It also sets the bar impossibly high.

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Asking a Lot

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Atsushi Nishijima/Searchlight Pictures

MOVIE REVIEW

Kinds of Kindness (2024)

Yorgos Lanthimos is one of the few European directors from non-English-speaking countries (in his case, Greece) in recent years to successfully pivot to full-time filmmaking in America. Unlike, say, Lars von Trier or Nicolas Winding Refn, Mr. Lanthimos has been recognized by the Academy with multiple nominations. He’s also lucky that he’s never had to placate Harvey Weinstein.

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Fury Road to Nowhere

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Jasin Boland/Warner Brothers Pictures

MOVIE REVIEW

Furiosa: A Mad Max Saga (2024)

Reviving the “Mad Max” franchise in 2015 after a three-decade gap turned out to be a very good idea for George Miller. So instead of another “Babe” or even “Happy Feet,” we’re getting a Furiosa origin story. Well, there’s apparently a sequel planned for “Mad Max: Fury Road” as well, but that’s a whole other conversation for another time.

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Queen It Over

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MOVIE REVIEW

Seize Them! (2024)

This perfectly silly attempt to tell a feminist story set in the Dark Ages is marred by an unusually spiteful attitude to violence. Early on a man is stabbed through the head and delivers a punchline before dropping dead. Later there’s an extended sequence about how difficult it is to throw a body off a cliff in a way which the body’s face is destroyed. It’s this sour tone which lingers despite the cast being a remarkable combination of British comic talent, making “Seize Them!” a misfire.

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Left to His Own Devices

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BFI London Film Festival

MOVIE REVIEW

If Only I Could Hibernate (2024)

This was the first ever Mongolian movie to play in the official selection at the Cannes Film Festival, but would have been accepted from any nation. It's an assured and reassuring movie about the importance of education, while also being a fresh entry into the genre of movies about children being forced to raise themselves. Normally such movies are incredibly bleak no matter where in the world they're set, but despite the worrisome title this is not the case here. “If Only I Could Hibernate” is a remarkable testament to the power of the human spirit and the dogged ability of children to create a better life for themselves, if only they have a little help.

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Brothers in Arms

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MOVIE REVIEW

Bade Miyan Chote Miyan (2024)

The first half of “Bade Miyan Chote Miyan” is a jolly action buddy comedy which includes our heroes, Freddie (Akshay Kumar) and Rocky (Tiger Shroff), beginning a hostage rescue by riding some horses off the back of a helicopter. The second half of “Bade Miyan Chote Miyan” is a fantasy war thriller based on the password to the scientific shield keeping India safe from missile attack. In both halves the evil villain, Kabir (Prithviraj Sukumaran), strides around in a bedazzled MF Doom mask, a large selection of stylish full-length black coats, and enough evil plans to justify the Indian army going rogue, not that his evil results are terribly impressive. But this is not one of those movies a person is meant to take seriously. We're meant to admire the pretty stars and have a great time knowing the nation is safe in their hands. It's a delight.

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A Slap in the Face

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MOVIE REVIEW
Family Star (2024)

He hits her in the face in what is meant to be a sweet love story. He hits her in the face and we're meant to think she owes him an apology for driving him to it. He hits her in the face and it's supposed to show just how committed he is to the welfare of his family that he would protect them at any cost. He hits her in the face in what’s supposed to be a romantic comedy. Better by far to die alone.

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Scenes From a Divorce

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Vertical

MOVIE REVIEW
Our Son (2023)

It’s no one fault, or it’s both their faults, but even with the best will in the world sometimes marriages just can’t be saved. In the case of book publisher Nicky (Luke Evans) and stay-at-home dad Gabriel (Billy Porter) neither of them has been perfect – overwork here, infidelity there – but the main issue is their different parenting styles for their son, Owen (Christopher Woodley), and the resentment which has seeped in until it’s the only thing they can feel. But “Our Son” is not a gay “Marriage Story,” even if that’s the easy marketing tagline which brought it to BFI Flare. Instead it’s about ordinary adult disappointments between an ordinary couple who happen to be gay and the ways in which their homosexuality directs the choices around their completely ordinary divorce.

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Quiet Reflection

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BFI

MOVIE REVIEW
Solids By the Seashore (2023)

“Solids By the Seashore” is unusual for a few reasons. Firstly, it equates the changes people undergo in a new relationship with those a beach undergoes through the ebb and flow of the seasons. Secondly, the people in the new relationship are two young Thai women, one a free-wheeling artist and the other a quiet hijabi. And finally, it’s also a movie about art – the people who make it, the people who sell it and the relationship art has with the places where it’s made. It combines its themes for an unusually satisfying resolution that manages to make all its points despite its restraint.

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Danger Zone

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MOVIE REVIEW
Operation Valentine (2024)

“Fighter” was the Hindi-language response of “Top Gun: Maverick;” and now we have “Operation Valentine,” the Telugu-language equivalent. It's about the same real-life incidents from 2019 also referenced in “Fighter,” but “Operation Valentine” is much the worse movie for two reasons. Firstly, director Shakti Pratap Singh chose to use footage of the real-life funerals which followed the 2019 attacks, which is desperately inappropriate. Secondly, it reduces the entire history of hostilities between two nations into one man's struggle with himself. It's a breathtaking achievement but perhaps not the intended one.

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