Mr. Robot
Tribeca Festival
MOVIE REVIEW
Sophia (2022)
Documentaries about tech entrepreneurs take off when the visionary spins a convincing vision, or bump along the runway when the vision is more myopic than they realize. “Sophia,” by Jon Kasbe and Crystal Moselle, finds a not entirely comfortable third path by following David Hanson and the humanoid female robot he and Hanson Robotics are developing, which lends its name to the film. When Mr. Hanson speaks of his creation as a marker on the path to true artificial intelligence his earnestness speaks for itself; but the film doesn’t put Sophia into any context as a point on the arc from here to there, not least since a lot of the running time is taken up by Sophia not actually working very well. The android’s body is not much more than functional anyway, but what its brain is capable of and the seismic impact that its creator predicts can’t really cohere while the company pit crew are under the hood with the jump leads.