Alia Bhatt

The Firewall

Heart-of-stone-movie-review-gal-gadot
Robert Viglasky/Netflix

MOVIE REVIEW
Heart of Stone (2023)

Finally, movies are getting back to what they are supposed to be good at: putting pretty people into mild peril in visually interesting places. Who wouldn’t fly direct from the Senegalese desert to downtown Reykjavik if they could? “Heart of Stone” is a supremely silly action movie that does a fine job of passing the time. And that’s cinema.

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Family Swap

Rocky-aur-rani-kii-prem-kahaani-movie-review
Courtesy photo

MOVIE REVIEW
Rocky Aur Rani Kii Prem Kahaani (2023)

Watching this gleeful, pointed Hindi rom-com makes it clear what’s been missing from most Hollywood movies lately: a sense of fun. It is abundantly clear that every single actor in this movie, even the villains, are having an absolute whale of a time. The characters even laugh! And it’s the kind of laughter that comes from enjoying yourself while doing good work that you know will be appreciated. This feeling of play goes a very long way to help the movie’s surprisingly radical medicine go down: equal rights for women are essential for a relationship to be a truly happy one.

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True Bromance

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DVV Entertainment

MOVIE REVIEW
RRR (2022)

Gatekeeping is and has been a serious problem plaguing international film culture. Even those most deeply immersed are often blissfully ignorant of this fact. A tiny, overwhelmingly white group of tastemakers ­­– programmers, critics, editors, distributors – essentially dictate what is fit for Western consumption. For the past year, nary a week has gone by without at least one new Indian release surfacing at multiplexes across the U.S. thanks to the pandemic-related short supply of Hollywood products. Yet major outlets and critics have deemed these films unworthy of any attention. They would of course never do this with a French film, even one without stars or festival credentials. “RRR,” a Telugu-language Indian film which has so far grossed in excess of $10 million in the U.S. – more than four times what “Drive My Car” made in its theatrical run – did not land a review in The New York Times until 12 days after opening, yet that was better than what most films from that country could get.

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