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MOVIE REVIEW
I Did It My Way (2024)
The heavy hand of the Chinese censors is painfully obvious throughout “I Did It My Way,” which does its best to tell its violent story within these exhausting restrictions. There’s a sequence showing Hong Kong schoolgirls in uniform who are so high one thinks she can fly and the other doesn’t notice as her friend falls to her death. Brain-on-drugs messaging was passé in American movies by the 1980s; and it’s depressing to see how it’s forced into what should have been a cracking tale of a good man going bad alongside a bad man going evil.
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Courtesy photo
MOVIE REVIEW
The Goldfinger (2023)
Art imitates life; life imitates art; and sometimes art imitates art in ways which take decades to pay out. The new Hong Kong movie “The Goldfinger” does all of this and then some. The title is a reference both to James Bond and the myth of King Midas, the actors are referencing their previous movie together, 2002’s excellent “Infernal Affairs,” which was adapted into “The Departed” by Martin Scorsese, whose “The Wolf of Wall Street” was a clear inspiration for writer-director Felix Chong.
Continue reading “Web of Sin” »
MOVIE REVIEW
Detective Dee and the Mystery of the Phantom Flame (2010)

2011 Tribeca Film Festival
It’s a good thing that Tsui Hark has never jumped on the “Crouching Tiger, Hidden Dragon” bandwagon. Although to be fair, he probably didn’t see any point in impressing audiences outside Hong Kong after his pair of underwhelming Hollywood one-two punch Jean-Claude Van Damme vehicles, “Knock Off” and “Double Team.” Poor Mr. Tsui. Even Mr. Van Damme has since redeemed himself with “JCVD” (which incidentally features a character who is an obnoxious hot-shot Hong Kong filmmaker, presumably based on you-know-who). Will Hollywood learn to forgive?
Continue reading “Kung Fu Hustler” »
MOVIE REVIEW
The Founding of a Republic (2009)

China Film Group
Last October, the People's Republic of China commemorated its 60th anniversary: an event marked by small-scale celebrations across the country, a massive parade in Beijing and the release of a star-studded historical epic, "The Founding of a Republic." The film follows the struggles of Mao Zedong (Tang Guoqiang) and the Communist Party as they win a civil war, secure control of China and send Chiang Kai-shek (Zhang Guoli), the leader of the rival National Party, to Taiwan in exile.
I actually had no grand plans to see the film — I wandered into a movie theater and requested tickets for whatever was playing next. I sat in my (assigned) seat and waited for some melodrama or kung-fu film to fill the screen. It turned out to be "The Founding of a Republic." And while the film lacks some cinematic energy, it provided good food for thought about China's view of itself, its roots and its legacy. Like most stories of revolution, it's always a nice reminder that nations are not born in in a vacuum, and some of the more interesting moments of the film revolve around the construction of a national identity, by highlighting arguments over the design of a new flag, anthem and governing body.
Continue reading “Bullish in a China Show” »