Ania Wendzikowska

Half in Love With Easeful Death

MOVIE REVIEW
Edge (2012)

Edge-maxine-peake
Dogwoof

Surfacing briefly in theaters two years after it was filmed, on the way to what looks like a much more natural berth on a smaller screen, Carol Morley's intimate feature film, "Edge," proves again that the director of "Dreams of a Life" is drawn to looking mortality right in the eye. Its eight seemingly unconnected characters turn out to be very much intertwined — first by parallel threads of loss, regret and unhappiness; and then by a set of coincidences brazenly assembled for the purpose of allowing them all some closure. Marooned in a hotel on a particularly bleak portion of the English south coast in midwinter, they collectively ponder the damage done by an uncaring universe before discovering that their creator isn't as vindictive as all that. Having declared that they can't go on, they go on.

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