Bob Odenkirk

Folie à une

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Altered Innocence

MOVIE REVIEW
The People's Joker (2024)

The sole showing of “The People’s Joker” at the Toronto International Film Festival in 2022 was hugely important in film history. When legal threats cause any film to be pulled from a festival that means that something important has gone wrong, and of course nothing is more interesting that something that’s officially been pulled. But this is no “Sita Sings the Blues,” a highly personal animated story of one woman’s very bad breakup which never got a mainstream release thanks to music licensing rights. Instead, “The People’s Joker” uses characters from the DC Universe to discuss the brandification of our imaginations, the difficulties in maintaining an artistic career, the after-effect of abusive relationships and how all of these things are heightened when you’re trans. To say it is one of the most important recent American movies is an understatement. It’s entirely fresh, extremely funny and with a talent for meeting the zeitgeist that can’t be bought. It never should have been threatened, as the backlash has only brought more publicity, especially since the use of the “Batman” characters is done in an exceptionally personally (and parodic) way. It’s an extraordinary film.

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My Father’s House

MOVIE REVIEW
Nebraska (2013)

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Paramount Pictures

Despite the monochromatic cinematography and the absence of Jim Taylor, “Nebraska” is recognizably an Alexander Payne picture. Aside from the obvious — the titular state where Mr. Payne hailed from and also where “Citizen Ruth,” “Election” and “About Schmidt” were set — the new film is a road movie like “About Schmidt” and “Sideways.” Supposing this being nothing new to be a valid criticism, it’s still the only criticism one can conceivably lodge against this masterpiece without seeming nitpicky.

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