Carice Van Houten

Publish and Be Slammed

MOVIE REVIEW
The Fifth Estate (2013)

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Frank Connor/Walt Disney Studios

Julian Assange's pre-emptive attempt to persuade Benedict Cumberbatch not to play the WikiLeaks founder in "The Fifth Estate" was probably a forlorn hope. As if Mr. Cumberbatch, now deep into that period when stars can be seen still visibly enjoying the work, was likely to refuse the opportunity of investigating a character as confounding and mannered as Mr. Assange. The actor's talent for mimicry has been put to good use before, but Bill Condon's film allows him to deploy it on a higher level altogether, and the results are a firework display. It's not his fault that the film comes not long after Alex Gibney's documentary "We Steal Secrets: The Story of WikiLeaks," which covered some of the same ground in more eccentric and inventive fashion, and did so with a harder focus on Mr. Assange than "The Fifth Estate" can pull off.

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Hey Jude, Don’t Make It Worse

MOVIE REVIEW
Repo Men (2010)

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Kerry Hayes/Universal Studios

The modus operandi of “Repo Men” preys on the ignorance of moviegoers, in terms of both ripping off other movies and glossing over gaping plot holes. Jude Law and Forest Whitaker are the eponymous main characters, except this is supposedly our dystopian future where they repossess artificial organ transplants from those who can’t pay.

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If You’re Going to Try to Kill the King

MOVIE REVIEW
Valkyrie (2008)

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United Artists

Given the avalanche of negative publicity that’s befallen “Valkyrie,” from the German government’s early refusal to let Bryan Singer shoot at his desired locations to the squabbling over the release date and the media’s oppressive scrutinizing of Tom Cruise’s personal life, it feels like the movie’s been in release for years. Getting to finally see it, then, becomes one of those much anticipated Holy Grail moments wherein one gets to ascertain precisely what the great big fuss has been about.

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