Kerry Brown/Sony Pictures Classics
The year 2009 has been an unusual one at the movies. Enormous blockbusters and children's animated series have held their usual sway at the box office, but they have done so while actually being good — and some of them have even been British. Women have been more visible in movies, as actresses and also behind the camera. I am so happy that women directed three of the movies on my list. What unexpected feminist joy! Things are also changing when a movie such as "The Hangover" — on the surface a totally macho film — is really about men failing miserably at taking a quick break from the women in their lives. The fact that two on my list are animated is also a surprise — when Hollywood seems determined to devise totally separate films for every possible marketing niche, it's wonderful to see that quality family films will always have a market.
Continue reading “Getting So Tired and Emotional, Baby” »
MOVIE REVIEW
Quantum of Solace (2008)
Karen Ballard/Columbia Pictures
James Bond is suffering an identity crisis. The series – which began with 1962's "Dr. No" – has always had its ups and downs, not least the changes of lead actor. Despite 22 installments of varying quality and silliness, the franchise has always bounced back, mostly unscathed by the changing times or the parodies and imitators which have also filled our screens. Then came Bond's greatest adversary, 2002's "The Bourne Identity," in which Matt Damon picked up a pen and changed permanently how violence could appear on screen. What was previously stylized or intentionally amusing now looked dated and ridiculous. EON Productions, which controls the series, has been running scared ever since. Based on "Quantum of Solace," Bond has yet to find himself.
Continue reading “The Bond Identity” »