Cyril Roy

Memoirs of a Gaijin

MOVIE REVIEW
Enter the Void (2010)

Enter-the-void-gaspar-noe-paz-de-la-huerta
IFC Films

“Vous avez 30 secondes pour abandoner la projection de ce film,” the title card’s boldface lettering and countdown rudely interrupted the proceedings of Gaspar Noé’s “I Stand Alone” before the climactic murder/suicide/incest. Sure, it was gimmicky, but the intensity of what ensued totally merited the warning. His follow-up, “Irreversible,” started out bracingly with the fire-extinguisher bludgeoning and the underpass rape, but ultimately fizzled due to its reverse chronology. Although Mr. Noé’s latest, “Enter the Void,” follows a more conventional time line, it unfortunately turns out to be just as anticlimactic.

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