Deadgirl

Superduperbad

MOVIE REVIEW
Deadgirl (2009)

Dg17
Harris Charalambous/Dark Sky Films

If necrophilia were ever to become a subdivision of sexual education, "Deadgirl" would be the cautionary film cited as required viewing in the course syllabus. However you've reacted to the preceding sentence should signify where you'll reside in "Deadgirl's" polarizing aftermath. If repulsed, steer clear; if uncomfortably intrigued, however, you'll find the debut film from directing duo Marcel Sarmiento and Gadi Harel to be a welcome surprise. The first-time filmmakers clearly have a ball playing on the conventions of both the horror and teenage coming-of-age film genres, taking a familiar virgin-outcasts-on-the-sexual-prowl premise and supplementing stone-faced bleakness where raunchy gags and McLovin types normally exist. The result – while a bit too reliant on its horror inclinations – is certainly one of the more unique and interesting genre films of the year thus far.

Continue reading “Superduperbad” »

© 2008-2026 Critic's Notebook and its respective authors. All rights reserved.
Privacy Policy | Terms of Use | Subscribe to Critic's Notebook
Follow Us on Bluesky | Contact Us | Write for Us | Reprints and Permissions
Powered by WordPress