Netflix
Noah Baumbach’s “Jay Kelly,” premiering at the Venice International Film Festival, must be inspired, at least in part, by Federico Fellini’s “8 1/2.” If so, it’s appropriate that it stars the Marcello Mastroianni of our time, George Clooney, in the titular role. Though the protagonist here isn’t a filmmaker but a movie star.
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MOVIE REVIEW
Hugo (2011)

Jaap Buitendijk/Paramount Pictures
One would expect any hardcore Scorsese fan to greet “Hugo” with some measure of trepidation: Has Martin Scorsese finally lost it? Could this PG-rated 3-D fantasy-adventure in fact be his equivalent of Francis Ford Coppola’s Robin Williams-Jennifer Lopez flick, “Jack”? Happily, such is not the case. In essence, “Hugo” the family-friendly extravaganza is only a pretext for Mr. Scorsese’s big-budget love letter to Georges Méliès and for his propaganda film championing moving-image archiving and preservation. You can pretty much tell the auteur was sleepwalking through all the C.G.I.-laden set pieces. But when the movie ventures into his passion-project territories, it comes more alive than any 3-D gimmickry.
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MOVIE REVIEW
Harry Brown (2009)

Harry Brown Productions Ltd./
Samuel Goldwyn Films
Michael Caine is “Harry Brown,” the ads for this revenge thriller tell us, and is he ever. Giving a performance that exudes distinguished, barely disguised ferocity, the legend creates another of his memorable characters. He’s the only reason to bother with Daniel Barber’s middling, grim genre effort, a movie so wedded to a realistically subdued take on its age-old premise that it forgets to be any fun.
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