First Class

Art of Darkness

Las-acacias-german-de-silva-hebe-duarte
Verve Pictures

The year 2011 was probably not one that will be best remembered for its cinema. As the world swirled with upheaval, the movies we saw didn't quite manage to capture the frenetic pace of change around us. Since movies usually take about three years to make, this is not completely surprising; but it does seem a shame that so few of our artists are ahead of the times. This is also the year in which Steven Spielberg — executive producer of "Transformers: Dark of the Moon" — proclaimed his disappointment that so few truly great movies were being made these days. Darkness was one theme very visible in the year's films, usually darkness without real reason other than the director wanted to see what he could get away with. So among other things we had — spoiler alert — a father selling his child for cash ("Real Steel"), a man sleeping with his girlfriend's mother in a fit of pique ("Beautiful Lies") and — possibly worst of all — Buzz Aldrin lending credibility to Michael Bay's hard-on for space-program conspiracies (the aforementioned "Transformers"). This is very depressing. No wonder we’re not as interested any more. To top it off, when all the comedies that actually like their characters have moved to television, is it any wonder that people stay in?

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A Mutant Admiration Society

MOVIE REVIEW
X-Men: First Class (2011)

X-men-first-class-james-mcavoy-michael-fassbender
Murray Close/20th Century Fox

“X-Men: First Class” is the crowning achievement of the mutant-superhero franchise thus far, a rejuvenated enterprise with a new director and cast and a story worth telling. Matthew Vaughn (“Layer Cake,” “Kick-Ass”) takes over and makes a film all his own, an efficient and emotionally affecting character-driven spectacle that is enhanced but not overwhelmed by its elaborate action scenes.

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