Filmmaker Marco Bellocchio has been tackling some of the thorniest aspects of the Italian national psyche since his 1965 debut "Fists in the Pocket." He has yet to show signs of slowing down, crafting vital cinema throughout the past two decades. Through the story of an atheist son coming to terms with his mother's candidacy for sainthood, "My Mother's Smile" energized Mr. Bellochio's recurring themes of the church and the nuclear family. "Good Morning, Night" explored the Red Brigade's 1978 kidnap and assassination of former Prime Minister Aldo Moro. "The Wedding Director" lampooned a national cinema unable to reclaim its past neorealist glory. His latest, "Vincere," takes on none other than the infamous fascist dictator Benito Mussolini.
