Netflix
MOVIE REVIEW
Jay Kelly (2025)
Noah Baumbach’s “Jay Kelly,” premiering at the Venice International Film Festival, must be inspired, at least in part, by Federico Fellini’s “8 1/2.” If so, it’s appropriate that it stars the Marcello Mastroianni of our time, George Clooney, in the titular role. Though the protagonist here isn’t a filmmaker but a movie star.
Apple TV+
MOVIE REVIEW
Wolfs (2024)
“Wolfs” is the new action-comedy starring Brad Pitt and George Clooney and directed by Jon Watts, who is responsible for the last three “Spider-Man” movies. It should get some butts in seats on these names alone; here we have two of Hollywood’s surviving movie stars who’ve earned their stripes before the industry’s almost complete pivot to IPs in an effort to draw box office. But these household names and their screen personae can be a blessing and sometimes a curse. Case in point: “Wolfs.”
Universal Pictures
MOVIE REVIEW
Ticket to Paradise (2022)
As an advertisement for modern parenting, “Ticket to Paradise” is a terrific argument for abortion on demand. Instead, it’s meant to be that dying art, the romantic comedy. While on holiday in Bali with best friend Wren (Billie Lourd), recent law grad Lily (Kaitlyn Dever) meets local man Gede (pronounced G’day, and played by Maxime Bouttier) and almost immediately they decide to get married. But the movie doesn’t care about them. Their relationship only exists to spite Lily’s parents, who have been bitterly divorced for decades. Instead the romance and the comedy are meant to be found in whether David (George Clooney) and Georgia (Julia Roberts) will be able to set aside their mutual loathing and work together to prevent the wedding. How comedic! How romantic!
Alison Rosa/Universal Studios
MOVIE REVIEW
Hail, Caesar! (2016)
The Coen brothers’ homage to classical Hollywood, “Hail, Caesar!” stars Josh Brolin as Eddie Mannix, a studio honcho working around the clock to put out fires such as starlets posing for “French postcards,” unwed mothers, kidnappings and actors who can’t act.
MOVIE REVIEW
The Descendants (2011)
Fox Searchlight Pictures
“The Descendants” is at a serious disadvantage when held up against other films by Alexander Payne. But that’s only because Jim Taylor’s whip-smart dialogue is noticeably absent this time (although he is still onboard as a producer). Once you get past the screenplay’s higgledy-piggledy treatment of Kaui Hart Hemmings’s source novel, the film ultimately proves another success for Mr. Payne. To wit, he convincingly pulls off the central conceit that a woman in her right mind would actually cheat on George Clooney with Matthew Lillard, which is no small feat if you really think about it.
MOVIE REVIEW
Up in the Air (2009)
Dale Robinette/Paramount Pictures
As A. O. Scott and perhaps others have presciently observed, Ryan Bingham (George Clooney) is this decade’s Jerry Maguire. The hero in “Up in the Air” is a self-made American corporate go-getter, whose sole mission in life is career success and the attainment of elite status (here via the rapacious accumulation of frequent flyer miles). Ryan is no stranger to director Jason Reitman, who brought us the soulless spinmeister Nick Naylor in “Thank You for Smoking.” Ryan’s eventual realization of the importance of family and companionship is similarly familiar territory for the man who also helmed “Juno.” This is a movie of few surprises, as our protagonist ultimately achieves self-actualization without compromising his capitalist principles.
MOVIE REVIEW
Fantastic Mr. Fox (2009)
Fox Searchlight Pictures
“Fantastic Mr. Fox” is identifiably based on a short story by Roald Dahl: the anthropomorphized animals, the analysis of the English class system and the marginalization of one gender of characters are all his trademarks. But what makes this movie special is that it is identifiably also a Wes Anderson film: the father doing his best for his family in his own peculiar fashion, the slightly remote mother more interested in her own goals than her children and the lonely son desperately seeking his parents’ approval.
MOVIE REVIEW
The Men Who Stare at Goats (2009)
Laura Macgruder/Overture Films
Welsh author and documentarian Jon Ronson’s 2004 book “The Men Who Stare at Goats” examined the U.S. Army’s investigation of the psychological and paranormal and their potential uses in modern warfare. Utilizing this fascinating study of top-secret military research as source material, director Grant Heslov delivers an entertaining picture, albeit one which slightly trivializes the underlying seriousness of its content.
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