Glassland

Troubles Every Day

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Sarah Manvel/Critic's Notebook

An outsider to the Irish film industry would be surprised at the depth and breadth of work available at the 26th Galway Film Fleadh. Held over five days and six nights every July in the largest city on Ireland’s west coast, the Fleadh (pronounced “flah,” Irish Gaelic for festival) brings together new and old talent in one place to act as a doorway to the global scene. Since its winning short automatically becomes eligible for Oscar consideration, the festival is able to punch considerably above its apparent weight.

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Taxi to the Dark Side

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Element Pictures Distribution

MOVIE REVIEW
Glassland (2014)

Kitchen-sink dramas can be very difficult to like. Small movies about unhappy lives can unfortunately sometimes be overwhelmed by their own metaphors. Quite often, directors are also overwhelmed by their own material and don’t know how to let the film breathe. Luckily in “Glassland,” Gerard Barrett makes none of those mistakes. Even better, he has brought in a wonderful cast that is more than capable of making these dim lights shine.

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