Hemingway’s Garden of Eden

For Whom the Belle Tolls

MOVIE REVIEW
Hemingway’s Garden of Eden (2010)

Hemingways-garden-of-eden-mena-suvari-jack-huston
Susan Allnutt/Roadside Attractions

A soft-core, Jazz Age skin flick masquerading as high art, “Garden of Eden” nonetheless could well be a faithful adaptation of Ernest Hemingway’s posthumously published novel. Maybe the icon really did write characters as obtuse and superficial as these, and maybe the man who wrote “The Old Man and the Sea,” “A Farewell to Arms” and “For Whom the Bell Tolls” actually produced a narrative so fully comprised of superficial psychobabble.

Controversies over the editing of the work and the usual luxuries of page-to-screen adapters make it impossible to know exactly what Papa intended. Yet, no matter the pedigree, the movie director John Irvin has given us is a cornball, slide-show assemblage of luxurious images, beautiful women in various states of undress and some childhood-in-African flashbacks ripped from the pages of the worst boilerplate fiction.

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