MOVIE REVIEW
RoboCop (2014)
Columbia Pictures and MGM Pictures
There are several films wrapped up in "RoboCop," of which the new one starring Joel Kinnaman as the luckless Alex Murphy and Abbie Cornish as his traumatized wife is competent, slick and knows that some topicality will condense automatically in a movie with Samuel L. Jackson as a ranting conservative talk-show host. The immediate problem is the heavy fan-service nods made to another film, Paul Verhoeven's 1987 original, which tend to land with a clang. If the new model is going to invoke its predecessor as knowingly as that, it can't complain if some comparisons are made about the level of ambition. The Reaganite military-industrial complex with its heartless wonks was only one target of the original film, a curate's cornucopia that also scooped up the Vietnam mind-set, blue-collar nobility, the role of women, contempt for intelligence and religious symbolism. José Padilha's version puts all its chips on one number instead, correctly spotting that contracted-out drone warfare is a moral minefield, but down-shifting the end result from gallows pulp to a high-concept sci-fi actioneer about a dead-shot cyborg and the woman who loves him. American Jesus has been swapped out for American Gladiator.
Continue reading “To Protect and Preserve” »
MOVIE REVIEW
Dark Shadows (2012)
Peter Mountain/Warner Brothers Pictures
One might imagine that a partnership between Tim Burton and vampires would yield compelling results. Mr. Burton’s appeal derives from his distinct imagination and the way he combines dark themes and youthful exuberance into genre movies. Films such as “Alice in Wonderland,” “Big Fish” and “Ed Wood,” illustrate Mr. Burton’s signature brand of aestheticism and complexity. Good or bad, few would describe Mr. Burton as conventional. But his newest film, “Dark Shadows,” never establishes any sort of originality. Flat characters, predictable plotting and boring action sequences make Mr. Burton’s latest an ordinary waste of two hours.
Continue reading “Learn to Leave the Past Alone” »
MOVIE REVIEW
Fragments (2009)
Peace Arch Entertainment
As far as predictors of quality go, few could be more telling than this: A film stars Forest Whitaker, Kate Beckinsale, Dakota Fanning, Guy Pearce, Jackie Earle Haley and Jennifer Hudson that finds itself dumped into theaters with no advertising or fanfare just days before its DVD release. That’s the case with “Fragments,” one of those suffocating ensemble dramas set in Southern California that weave together a multipartite story in search of a grand societal statement. Australian director Rowan Woods indulges in some sub-subpar “Crash” territory here, with a laughably self-serious narrative that has less to do with reality than histrionics.
Continue reading “Six Degrees of Exasperation” »