Lukasz Dziedzic
MOVIE REVIEW
Roving Woman (2022)
“Roving Woman” is dedicated to Connie Converse, a singer-songwriter who spent nearly a decade trying to make a name for herself and her music in 1950s Greenwich Village, except she was a woman ahead of her time so nobody cared. She gave up in the early 1960s, around the time Bob Dylan strode into the limelight, and in 1974 packed up her car and disappeared. She’s never been seen again, probably a suicide, but also because (according to her Wikipedia page) her family decided to “respect her decision” to vanish and never searched for her. It’s exceedingly unlikely she is still alive, but her music survived due to the protection of a friend and was discovered by the wider world about 20 years ago. The movie is named after one of her songs, about a woman’s use of cards and drink to be led astray. But this beautifully sad little film, shown at the Tribeca Festival, is instead about how easy it is for a life, in the words of Britpop favorite Pulp, “to slide out of view.”
