Joseph Kosinski

Highway to the Comfort Zone

Top-gun-maverick-movie-review-tom-cruise
Scott Garfield/Paramount Pictures

MOVIE REVIEW
Top Gun: Maverick (2022)

An aircraft carrier is 90,000 tons of diplomacy (as they say on the T-shirts) and its smell is hard to describe. It’s an enveloping sensation that permeates the entire world around you, especially when the carrier is out at sea and a floating city for thousands of people. Below decks the air is heavy with the weight of the ship, metal and body odors, recycled air and watertight doors. The flight deck smells like salt air and overheated tarmac, wind and jet fuel. It gets under your skin like very little else.

“Top Gun: Maverick” is all about what it’s like to chase a sensation. It begins with old-school renegade expert Maverick (Tom Cruise) taking an experimental plane for a test flight before its program is shut down by an admiral so tough (Ed Harris in a delightful cameo) he doesn’t even flinch as the plane passes so low overhead it knocks the roof of a guard hut. It transpires that Maverick is needed urgently at the flight school outside San Diego, where a secret mission – think the targeting of the Death Star in “Star Wars,” only more convoluted – requires training only Maverick can provide. The training is overseen by Cyclone (Jon Hamm), a by-the-rules admiral who dislikes Maverick, personally and professionally. One of the trainee pilots is Rooster (Miles Teller, phenomenally cast and with a superb mustache, and otherwise serviceable), whose late father was Maverick’s wingman and who has daddy issues galore. Maverick’s daddy issues from the original are forgotten. As the world turns, eh? The rest of the plot is pretty standard blockbuster stuff.

Continue reading “Highway to the Comfort Zone” »

Respect the Architect

MOVIE REVIEW
Oblivion (2013)

Oblivion-movie-review-tom-cruise
David James/Universal Pictures

If you filleted out all the bits drawn from other science-fiction stories and post-apocalypse fables, there wouldn't be much left of "Oblivion" except a hollow shell of pure design theory and a vague hint of new-car smell. But at least its design has some theories worth gazing at. In a plot teeming with so many familiar threads that it eventually short-circuits rather than untangle itself, the vividly antiseptic living-pods and sky-castles and bubble-ships that Joseph Kosinski and his design wizards concoct have a stronger identity than the flesh-and-blood individuals inside them. So too does the soundscape, an aural soup of machine language and data traffic that isn't the only echo on offer of young George Lucas and "THX 1138." Watching "Oblivion" with your fingers in your ears gets more tempting as the film goes on, but you'd miss some of the best bits.

Continue reading “Respect the Architect” »

A Digitized Shadow of Science Fiction

MOVIE REVIEW
TRON: Legacy (2010)

Tron-legacy-jeff-bridges
Disney Enterprises

"TRON: Legacy," a movie that has been in the works since the mid-'90s, is finally here. It wears its reported budget of more than $200 million very much on its sleeve, with amazing costumes, lighting and C.G.I. work combining to create a believable — and pleasingly three-dimensional — computer-focused world. But all the money in its budget was unable to buy the filmmakers a single original idea. On reflection, that's perhaps what "TRON: Legacy" is meant to be: the first major studio mash-up movie.

Continue reading “A Digitized Shadow of Science Fiction” »

© 2008-2026 Critic's Notebook and its respective authors. All rights reserved.
Privacy Policy | Terms of Use | Subscribe to Critic's Notebook
Follow Us on Bluesky | Contact Us | Write for Us | Reprints and Permissions
Powered by WordPress