Leslie Bibb

Collateral Savage

MOVIE REVIEW
Law Abiding Citizen (2009)

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John Baer/Overture Films

In director F. Gary Gray’s revenge thriller “Law Abiding Citizen,” the vengeance is front and center. Acts of payback that range from robotic sniper machines to limb dissection keep the momentum in gear, the gory red stuff smeared like graffiti in surprising amounts. The plot’s crux involves a loving suburban father (Gerard Butler) who waits 10 years to wage violent retribution against the legal-system players (led by Jamie Foxx as a hotshot assistant district attorney) that let a murderer — the greasy, abhorrent deviant who killed the father’s wife and daughter — walk free. That Mr. Butler is behind bars as the plan unfolds lends an air of implausibility.

Beyond that, it’s difficult to grip any semblance of narrative fat. The cat-and-mice game orchestrated by Mr. Butler’s Clyde Shelton is so overpowering that any human elements are lost in the bloody translation. As his 2003 action triumph “The Italian Job” showed, Mr. Gray certainly knows his way around stylish anarchy, and the glossy brutality of “Law Abiding Citizen” is at times quite enthralling. Higher stakes, which could have been upped if the characters existed as more than archetypes, just aren’t in the cards.

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Spooking Door to Door

DVDS
Trick ’r Treat (2009)

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Joe Lederer/Warner Bros. Entertainment

Loyal to a genre constantly attacked for its dependency on remakes and generally uninspired fare, horror fans won’t hesitate to rally behind a good film when one is mistreated. The outcry process unfolds in three stages. The first takes places at film festivals, where too-hardcore foreign films and executive-worrying studio projects enthrall critics before beginning their flights under the commercial radar. Then, a waiting period (average duration: one year at least) leaves fans hungry and agitated, placing question marks on when they’ll see those festival darlings. The third and final stage can go two ways, either with an unceremonious dumping into a minor number of theaters or the straight-to-DVD dispatching of said films. Drivel such as “The Unborn” earn 2,000-plus-screen releases.

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