Frank Masi/20th Century Fox
MOVIE REVIEW
Let's Be Cops (2014)
The buddy cop subgenre has proven such a bankable formula in Hollywood — yet again by the success of “Ride Along” earlier this year — that some might now consider it a bona fide genre. The trope often combines varying percentages of thriller and comedy to mixed results. Some entries like “Lethal Weapon” skew more toward the thriller, while ones like “White Chicks” obviously yield to the comedy. Casting choices usually give a good indication which way it will turn out: If one of the partners belongs in the K-9 unit, you can be sure of the lowered stakes.
Besides the fact that neither of the main characters is an actual police officer, “Let’s Be Cops” feels unorthodox for defying these formulaic expectations the subgenre has been steadily creating through trial and error since its inception in the 1980s. The film actually has incredibly high stakes, like a much sillier “48 Hrs.” rather than a more thrilling “21 Jump Street.” If it’s any indication, Damon Wayans, Jr. plays the straight man to Jake Johnson’s instigator — complete with a reference to the Glover–Gibson dynamic.