Maria Malin/Sony Pictures Classics
MOVIE REVIEW
Third Person (2014)
Paul Haggis has again formulated an interwoven story with “Third Person,” this time finally resolving the contrivance inherent in the narrative device by having all interconnected vignettes conveniently taking place in one writer’s fertile imagination.
MOVIE REVIEW
The Lego Movie (2014)
Warner Brothers Pictures
Even though Claymation is de rigueur in the realm of stop-motion animation, brickfilms date all the way back to the 1970s. There hasn’t been a prominent example perhaps because the Lego Group unsurprisingly pursued legal action over “The Magic Portal,” a feature-length brickfilm made in the late 1980s. The precedent has been enough to scare off aspiring brickfilm makers since, even though the company seemingly reversed its stance in the early 2000s with the release of Lego Studios kits.
As its title suggests, “The Lego Movie” has the company’s blessing and touts the virtues of the product. The sense of product placement and corporate synergy only deepens with Warner Brothers Animation seizing the opportunity to parade the fleet of the DC Comics characters in its catalog.
MOVIE REVIEW
Battleship (2012)
ILM/Universal Pictures
The most interesting aspect of Peter Berg's last couple of features was always the involvement of Michael Mann; and Mr. Berg's inclination to take his producer's blue-collar urban-myth-making and process it into something less buttoned-down. But "Battleship" swings in other directions, borrowing instead from the Tony Scott book of naval ballistics and immediately summoning up instead the spirit of Tom Cruise and Val Kilmer circa 1986. It also has the gall, the nerve, the stainless-steel balls required to include a version of the Hasbro pastime's actual gameplay into its plot as a military strategy — for which, frankly, hats off.
MOVIE REVIEW
Unknown (2011)
Warner Bros. Pictures
Liam Neeson continues his descent from leading-man respectability to run-of-the-mill action star in “Unknown,” a passable Hitchockian thriller. For a time, director Jaume Collet-Serra sustains the mystery at the picture’s core with a hint of vivid conspiratorial edge, but the movie builds up to a climax that makes one question whether it was ever worth the effort.
MOVIE REVIEW
The A-Team (2010)
Doug Curran/20th Century Fox
Bolts of testosterone surge through “The A-Team” with blinding force. The mystifying remake of the '80s TV show is so supercharged with machismo, you’d be forgiven if you mistook it for the weight room at your local gym.
MOVIE REVIEW
Chloe (2010)
Rafy/Sony Pictures Classics
“Chloe” is a slick, accomplished erotic thriller, made with a rich cinematic eye and flair for visual storytelling. Coming from director Atom Egoyan, a master stylist bestowed with a textbook comprehension of the language of film, that comes as no surprise.
Yet, the picture marks something of a departure for the Canadian auteur. It’s the first feature he’s directed from a script not his own — the writer is Erin Cressida Wilson (“Secretary”) — and in it he adheres to a straightforward, accessible linear template that avoids the fractured abstractions of a film such as “Adoration” or “The Sweet Hereafter.”