
Henrik Ohsten/The BFI London Film Festival
MOVIE REVIEW
Another Round (2020)
The most shocking part of this movie is that they are teachers: Tommy (Thomas Bo Larsen) is the gym teacher and soccer coach; Peter (Lars Ranthe) is the music teacher and piano player; Nikolaj (Magnus Millang) is the psychology teacher, the youngest of the group, and a father of three exhausting young sons; and Martin (Mads Mikkelsen) is the history teacher, for whom life is entirely gray. He and his wife, Anika (Maria Bonnevie), hardly speak anymore, his sons don’t even make eye contact, and the P.T.A. calls a meeting to tell him how concerned they are about his level of teaching. The four men go for a blow-out dinner for Nikolaj’s 40th, at which Nikolaj tells Martin, “I think you lack self-confidence and joy.” Normally, anyone expressing this to the man who’s been the nation’s leading movie star for a quarter-century would be laughed over the border. But as Martin, Mr. Mikkelsen has crumpled, and his friends set about clowning around until they cheer him up. The fun they have at the dinner gives them all a terrible idea.
Continue reading “Drunk on Life” »
MOVIE REVIEW
The Hunt (2012)

Per Arnesen/TrustNordisk
If it’s not too unfair to say it, Thomas Vinterberg’s films often convey the uncertainty of an artist casting around for a directorial identity. The enormous critical success of “The Celebration” in 1998 was followed by the flashy sci-fi ambition of “It’s All About Love,” an attempt to distance himself from both the artificial austerity of the Dogme regime and the work of his compatriot Lars von Trier.
Despite the signs that he wanted to escape the shadow of his former collaborator, the next few films followed an inarguably Mr. von Trier-like trajectory, with “Dear Wendy” being a “Dogville”-esque slice of subverted Americana and low-key parochial comedy “When a Man Comes Home” mirroring Mr. von Trier’s simultaneous diversion into chastened backtracking, “The Boss of It All”.
Following the partial return to form of “Submarino,” Mr. Vinterberg is firmly back on track with “The Hunt,” a film that satisfies his interest in hard-hitting taboo issues while retaining flashes of the old Dogme-era mischievousness. It’s a film that’s truly cinematic and refuses to be hidebound to earthy realist roots simply because of its gritty subject matter, while also displaying a structural cohesiveness and maturity often absent from the work of his more famous cohort. Thankfully it’s a balance that Mr. Vinterberg finally seems comfortable with.
Continue reading “Presumed Guilty” »
MOVIE REVIEW
The Three Musketeers (2011)

Rolf Konow/Summit Entertainment
Not sure what Alexandre Dumas père ever did to deserve having “The Three Musketeers” defiled for the big screen more than 20 times. With the exception of the 1921 Douglas Fairbanks and the 1948 George Sidney versions, few are even remotely watchable. It seems that with each new stab at upping the ante, the story’s quality takes another hit. If you don’t think it can possibly get worse than the one with Charlie Sheen, Kiefer Sutherland, Chris O’Donnell and Oliver Platt from 1993, just wait until you see the new 3-D treatment.
Continue reading “It Takes More Than a Good Man to Prevent a Catastrophe” »
MOVIE REVIEW
Valhalla Rising (2010)

IFC Films
“Bronson,” the last film from Danish writer-director Nicolas Winding Refn, told the story of Britain’s most notoriously violent criminal through frequent excursions into the character’s deranged subconscious. “Valhalla Rising,” Mr. Refn’s latest, feels like the sort of movie Charles Bronson might have made were he fascinated by Vikings.
Continue reading “The Last Viking of Scotland” »
MOVIE REVIEW
Flame & Citron (2008)

The Times BFI 52nd London Film Festival
The eponymous anti-heroes of this stylish and exciting thriller from Ole Christian Madsen were never mentioned in any history lesson that I ever took. Otto Von Bismarck, Winston Churchill and even the Venerable Bede were all present and correct during my studies but not "Flame & Citron." The latter might console themselves from beyond the grave with at least being well known in their native Denmark.
Continue reading “Keeping a Friend Close as Enemies Get Closer” »