Manuel Guillot

Night for Day

The-second-act-film-review-léa-seydoux-vincent-lindon-le-deuxième-acte

Diaphana Distribution

MOVIE REVIEW

The Second Act (2024)

Quentin Dupieux’s “The Second Act,” which opened the 77th Cannes Film Festival, is a somewhat interesting, if half-baked, objet de curiosité about the blurred line between fiction and reality. It’s the classic film-within-a-film, except that realities of the film set and behind-the-scenes drama pretty much hijack and drown the threadbare plot of the fictional project herein.

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