Festival de Cannes
MOVIE REVIEW
Bonnard Pierre and Marthe (2023)
Pierre Bonnard was a leading post-impressionist painter, an artistic revolutionary who never quite achieved international fame and prominence, though he is well-known in France. Director Martin Provost, who also wrote the script with regular collaborator Marc Abdelnour, has significant previous experience in shining a light on the personal lives of underappreciated French artists. The Cannes Film Festival is the natural home for this work, a solid piece of entertainment which demonstrates that life may imitate art, but art imitates the human heart.
Continue reading “The Portraits of a Lady” »
MOVIE REVIEW
Séraphine (2008)
Music Box Films
The act of painting is a visual one and therefore inherently cinematic. Artists are usually interesting individuals with complicated personal lives and dramatic outlooks — or so the stereotypes say. So movies about painters are visually and dramatically interesting. Except, of course, when they are not.
Séraphine Louis (Yolande Moreau) was a bonne à toute faire (a woman worker who could do anything in the home; literally, a jill-of-all-trades) in Senlis, a small town outside Paris, in the 1910s when she started working for Wilhelm Uhde (Ulrich Tukur), a German escaping the city life of Paris. They interacted as a bourgeois bohemian normally interacts with his cleaner, until he realized that she painted. As it happened, he was one of Europe's premier art critics, and so Séraphine's career was born.
Continue reading “Juggling Scrub Brush and Paint Brush” »