Matt Dillon

Live at the Apollo

Asteroid-city-movie-review-jake-ryan-jason-schwartzman-tom-hanks
Pop. 87 Productions/Focus Features

MOVIE REVIEW
Asteroid City (2023)

It's the way in which he uses physical things and precise language that makes him so easy to parody, but that is also his appeal. Wes Anderson is the only director currently working with such a clear visual style that it can be endlessly parodied without any further explanation. This is his gift but as “Asteroid City” makes clear, also his curse. Mr. Anderson is a sensitive, thoughtful director of grief and disappointment, but his messages of the need of kindness and the importance of true human connection are often lost under his aesthetic. That aesthetic overshadows how actors are fighting to work for him even in the smallest of parts; his gentle sense of humor is overlooked; and his willingness to explore even the tiniest detail within a frame makes his movies treasures which can be continually revisited without sound. On the other hand, deep in the credits of his newest offering, there’s mention of a yodelling consultant. So he’s on the verge of becoming a parody of himself.

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Fanning the Plame

MOVIE REVIEW
Nothing but the Truth (2008)

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Yari Film Group

“Nothing but the Truth” melds politics and journalism – the primary dramatic interests of writer-director Rod Lurie – into one nicely compact narrative package. Inspired by the recent Valerie Plame scandal, the film matter-of-factly tells a story of the conflict between journalistic and governmental ethics. To his great credit, Mr. Lurie does so with only a modicum of moralizing and without ever pandering to one side or the other. He has a point of view to be sure, but he never lets it color things to a poisonous extent; and his screenplay unfolds in shades of grey.

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