MOVIE REVIEW
Serious Moonlight (2009)

Will McGarry/Serious Moonlight, LLC
“Serious Moonlight” reaffirms what “Waitress” proved: The murder of Adrienne Shelly not only robbed the world of a mother, wife and talented actress, but an incredibly gifted and incisive filmmaking mind. Here Cheryl Hines directs one of Shelly’s unproduced screenplays, using the sort of elaborate battle-of-the-sexes setup intrinsic to the films of classic verbal stylists like Howard Hawks to arrive at some heartfelt human truths.
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MOVIE REVIEW
The Women (2008)

Claudette Barius/Picturehouse
Some might call “The Women,” a remake of the 1939 George Cukor classic based on the Clare Booth Luce play, the ultimate “chick flick.” Let’s be clear: It might feature only women and it might be geared toward women, but both sexes will surely unite in contempt for it. The feature film directorial debut of “Murphy Brown” creator Diane English, the movie contains shrill characters, an almost total absence of a narrative and lots of boring conversing as filler.
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