MOVIE REVIEW
Summer Hours (2008)
“Summer Hours” – which stands diametrically opposed to the globe-trotting B-movie tributes that have recently preoccupied writer-director Olivier Assayas – only serves to reaffirm his filmmaking range. It’s an intimate motion picture steeped in nostalgia, one that explores the ways our memories strangely bestow inanimate objects with great personal significance. With its idyllic views of the French countryside, piercing study of sibling relationships and ethereal renderings of the detritus of modern aristocratic life, the film looks and feels like something Eric Rohmer might have made.
