Olatunde Osunsanmi

X-Filing Away

MOVIE REVIEW
The Fourth Kind (2009)

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Simon Vesrano/Universal Pictures

The pretension that suffocates "The Fourth Kind" belittles common sense. Writer-director Olatunde Osunsanmi wants his film — equal parts dramatization of a Nome, Alaska-based psychologist's close encounters of the fourth kind (alien abduction), which were supposedly recorded in 2000 and said "archival footage" from the hypnosis sessions — to leave the audience in uncomfortable deliberation: Was what we just saw real? Could that have actually happened? The way Mr. Osunsanmi conducts "The Fourth Kind," though, those questions are repeatedly silenced by his increasingly hokey structure. A stacked deck of sci-fi promise is squandered.

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