Surveillance

Fear the Best

ML
Francois Duhamel/The Weinstein Company

This list must be prefaced with the following: Each of these films should be happy (if cinema could actually emote, that is) that Martin Scorcese's "Shutter Island" got pushed back to February 2010. Something tells me that I'm going to adore that one like none other, and that something hopefully isn't the fact that the same-titled, original Dennis Lehane novel is a personal favorite. The point being here that "Shutter Island" could have easily knocked one of the following flicks off this rundown had it made its once-scheduled October release date.

Missed opportunities aside, cinema in 2009 was all over the place, in a good way. Combing through the year's list of eligible films, I found it difficult to select a dime's worth of standouts. Really, these kinds of lists are hopeless endeavors; the second you submit or post your own, a good five or six films tap your shoulder and whisper, "You forgot about me, sir. I thought you loved me?" Like a neglected lady friend, only less affectionate. The forgotten films go on to torment your thoughts, remind you of your now-sealed 2009-filled time capsule. Sadly, there's no Wite-Out available here.

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Uncovering Clues on the Lost Highway

MOVIE REVIEW
Surveillance (2008)

7
Magnet Releasing

To say that Jennifer Lynch’s “Surveillance” is a chip off the old Lynchian block is alternately misleading and accurate. Whereas the films orchestrated by her auteur father, David, disturb by turning the viewer’s brain into a battered punching bag, “Surveillance” achieves a similar feeling of psychological unease in a much more coherent manner. The film is a deviant surprise, an unwavering hell ride from the mind of a once left-for-dead filmmaker. After the critical drubbing and box-office tanking of her 1993 debut, “Boxing Helena,” Ms. Lynch hadn’t exactly put her name on the list of tomorrow’s best filmmakers. In fact, her name had become somewhat of an afterthought, one of the many examples of unsuccessful nepotism. “Surveillance’s” paralyzing tone and controlled ultra-violence, however, show that Ms. Lynch has emerged from Hollywood’s time-out corner with a vengeance.

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