MOVIE REVIEW
Uncle Boonmee Who Can Recall His Past Lives (2010)
Strand Releasing
Let’s recap Thai cinematic exports that have recently arrived on these shores. Given their popularity at home and abroad, Tony Jaa’s muay Thai flicks are perhaps the most representative of the indigenous Thai cinema. There have also been numerous attempts to capitalize on the pan-Asian horror wave, including “Shutter” and offerings from the Pang brothers. On occasion, there are exposés on transsexuals such as “Beautiful Boxer” and “The Iron Ladies” or historical epics such as “The Legend of Suriyothai” and “Bang Rajan.” Then there are festival favorites by the likes of Wisit Sasanatieng and Apichatpong Weerasethakul.
Of this diverse crop, critics in the West are en masse heralding the extremely idiosyncratic work of Messrs. “Joe” Weerasethakul and “Sid” Sasanatieng as the vanguard of the Thai new wave. This year, that movement finally emerged as the next major national cinema when Mr. Weerasethakul’s “Uncle Boonmee Who Can Recall His Past Lives” claimed the Palme d’or at the Cannes Film Festival.
