The Tree of Life

Family Viewing, Outside the Cry Room

Poetry-yun-Jung-hee
Kino International

A newborn in the family reduced my cinema visits to the lowest number in many years, although I did finally manage to catch up with most significant releases by the end of the year. There are a few notable exceptions, such as "Tinker, Tailor, Soldier, Spy" and "Drive," and I’m yet to catch the recently released "The Artist" and "Las acasias." Looking back, I’d say it’s been a reasonably good year. Certainly it’s been a very good one for British cinema. I’m a bit disappointed not to have any out-and-out comedies on my list, but some fell just outside my top 10.

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The Darkness of Mere Being

Martha-marcy-may-marlene-elizabeth-olsen-sarah-paulson
Jody Lee Lipes/Fox Searchlight Pictures

A year full of darkness in and out of the theater — I’m not talking about full-fledged apocalypses, but rather broken worlds that our heroes and villains must navigate for survival. Escape was probably the most popular theme among the movies in my top 10: escape from death, marriage, heartbreak and even economic collapse. By going to see these films, I was able to escape writing papers and completing problems sets in the Tufts University computer labs. Without further ado, I gladly share these with you:

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As the New World Turns

MOVIE REVIEW
The Tree of Life (2011)

The-tree-of-life-brad-pitt-jessica-chastain-laramie-eppler-tye-sheridan
Merie Wallace/
Fox Searchlight Pictures

It’s the new Terrence Malick! It’s the Palme d’or winner! It’s Harmony Korine-meets-Stanley Kubrick! It’s the entire “Lost” series pared down to two hours and 18 minutes! Or — as some loudmouth overheard at another press screening put it — it’s two hours and 18 minutes of computer screen saver! Granted, the said loudmouth also believed Dominique Strauss-Kahn was set up. All joking aside, it’s interesting to see that even after his heirs apparent — namely, Mr. Korine and David Gordon Green — have respectively moved on to experimental video and Hollywood trash in the time span between two Malick projects, the old maestro continues to bear his own torch.

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