
Edinburgh International Film Festival
Since the Edinburgh International Film Festival's move from August to June, the films and guests available in the early summer slot have fallen nicely for the headline writers, culminating in last year's double whammy of "Antichrist" and "The Hurt Locker." This year fate was less kind, and the absence of true talking points only emphasized that most of the higher profile films were days away from wide release — though some ("Get Low," "Winter's Bone") were excellent. There was more action down in the festival's low-budget laboratories; but there, the trend to instantly dismiss exactly the kind of films that resist instant dismissal was in full effect. With odd vibes at the top and bottom, the result was a festival with a mild identity crisis.
Continue reading “Edinburgh International Film Festival ’10: Notes From the Underground” »