Woody Allen

In an Ivory Eiffel Tower

MOVIE REVIEW
Midnight in Paris (2011)

Midnight-in-paris-owen-wilson-carla-bruni
Roger Arpajou/Sony Pictures Classics

Critics must have desperately yearned for Woody Allen’s return to form, or else they wouldn’t have been reflexively hailing his every offering in the last decade as a return to form regardless of merit. Occasionally Mr. Allen has seemed happy to oblige, such as finally revisiting his fabled Manhattan with “Whatever Works” after a self-imposed four-year European exile. Although he has crossed the Atlantic yet again for his latest, “Midnight in Paris” deliberately channels the same deep-rooted fascination with the storied 1920s as did “Zelig,” “Bullets Over Broadway” and “Sweet and Lowdown.”

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Tell and Kiss

MOVIE REVIEW
Shall We Kiss? (2007)

Shallwekiss_4
Pascal Chantier/Music Box Films

“Shall We Kiss?” examines sex as a social contract and not an act between those in love, at least for awhile. Can two people have a meaningless kiss? Depending on how neurotic the two people, yes and no. With a plot that involves characters’ neuroses and their romantic inklings, “Shall We Kiss?” has all the markings of a Woody Allen film.

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