MOVIE REVIEW
Epitaph (2007)
Since its release last year, “Epitaph” – directed by newcomers
the Jung Brothers – has screened at several film festivals and been
heralded by critics as the best Korean horror film since the 2003
masterpiece “A Tale of Two Sisters.” If the latter is true, it
surely says more about the floundering state of Asian horror than about
the quality of “Epitaph,” an overly-contrived and confusing anthology
film revived only by its gorgeous aesthetic sensibilities.