MOVIE REVIEW
Bel Ami (2012)
Studiocanal
Social climbing never goes out of fashion; and dubious press practices, Western countries bogged down in desert conflicts and unhappy war veterans are all about as current as it gets. So despite the outward signs of a musty costume drama, "Bel Ami" is never stale. In fact, it takes pains to stay sprightly throughout the tale of Georges Duroy (Robert Pattinson), skilled lothario and serial seducer — a man able to keep three mistresses warm at once and still find the energy to be rude to the servants. You could almost call it jaunty, as long as you ignore the lingering urge to kick the big Gallic jerk in the knee.
Continue reading “Love in the Afternoon, Every Afternoon” »
MOVIE REVIEW
21 Jump Street (2012)
Scott Garfield/Columbia Pictures
Arriving hot on the heels of the critically maligned “Project X” comes writer Michael Bacall’s interpretation of the ’80s teen-cop caper, “21 Jump Street” — the show that thrust Johnny Depp into the limelight. One might be forgiven for letting out an audible groan in the expectation of more equally crass fare. But this is a completely different beast; and it’s a bloody funny one at that.
Continue reading “Too Cool for Old School” »
MOVIE REVIEW
The Cabin in the Woods (2012)
Diyah Pera/Lionsgate
Five years ago in a review of “28 Weeks Later,” I extolled the virtues of Danny Boyle’s “28 Days Later,” describing it as “genre busting” and praising it for reviving and redefining the horror genre — even going so far as to call it “a wake up call” to the industry. Well, if Mr. Boyle’s intelligent and sophisticated zombie romp did indeed succeed in doing that, then Joss Whedon and Drew Goddard’s “The Cabin in the Woods” can only be described as a landmark, watershed moment in film history, because this is such an innovative, brave, inspired and original entry into the horror oeuvre that nothing will ever be the same again.
Continue reading “Remote and Controlled” »
MOVIE REVIEW
The Raven (2012)
Larry Horricks/Universal Pictures
Once upon a meeting dreary, full of pitches weak and weary,
Comes some bright spark speaking vaguely and invoking Alan Moore.
"Dusty books can still be thrilling, old ghost stories still be chilling,
Studio can make a killing with that story in the drawer,
If we ginger up that poem which we read at school before
Where the bird says "Nevermore."
Continue reading “Merely This and Nothing More” »
MOVIE REVIEW
John Carter (2012)
Frank Connor/Disney
Based on Edgar Rice Burroughs’s story “A Princess of Mars” and directed by Andrew Stanton, who helmed “Finding Nemo” and “Wall-E” for Disney/Pixar, the new Disney film “John Carter” tells the story of the titular character (played by Taylor Kitsch), an American Civil War soldier who is mysteriously transported from Earth to Mars (called Barsoom by the planet’s inhabitants). He soon encounters an alien race called the Thark, led by Tars Tarkas (Willem Dafoe), and finds himself caught up in a conflict between the violent hordes of Zodanga and the peaceful people of Helium. At first Carter just wants to return to Earth; but after meeting Helium Princess Dejah Thoris (Lynn Collins), he is slowly drawn further into the fight to save the planet.
Continue reading “Save the Red Planet” »
MOVIE REVIEW
Project X (2012)
Beth Dubber/Warner Brothers Pictures
The new teen comedy “Project X” is definitely not to be confused with the 1980s Matthew Broderick thriller of the same name. This “Project X” can be more aptly described as project mayhem, the “Fight Club”-style manifesto that wreaks havoc on property supposedly in the name of fun but which quickly turns serious. What begins as an epic but manageable 17th birthday party for high-school student Thomas (Thomas Mann) — organized by his friend Costa (Oliver Cooper) with another friend named JB (Jonathan Daniel Brown) in tow — quickly turns into a riotous night of partying, with sex, drugs and chaos in plentiful supply. The day is presented as a found-footage film shot by the mysterious cameraman Dax (Dax Flame), but as the party progresses and turmoil takes over, shots are taken from other cameras, including phones and TV crews, which chronicle the disintegration of the festivities, the destruction of the house and the devastation of the neighborhood.
Continue reading “The House Party From Hell” »
MOVIE REVIEW
This Means War (2012)
Kimberley French/20th Century Fox
If democracy ever comes to an end in the United States and future movie historians look back for the first indication that the fascists were taking over, “This Means War” will be a good place to start.
Tuck (Tom Hardy) and FDR (Chris Pine) are lifelong besties who work for the C.I.A. — despite Tuck being British — but never mind. When they aren’t throwing Eurotrash villains from the top of Hong Kong skyscrapers, they are cleaning knives at their underground Batcave office in Los Angeles, to the great annoyance of their boss (Angela Bassett, stunning as ever but criminally underused). FDR is so much of a player that his apartment is built underneath a swimming pool. Tuck had a wife and kid once, but they got divorced. So, as FDR’s kindly grandmother (Rosemary Harris, of course) tells him, “That doesn’t count.” As the thrills of seeing who has the bigger gun begin to pall, they decide to get back into the dating game.
Continue reading “The Spies Who Loved Mean” »
MOVIE REVIEW
Position Among the Stars (2011)
HBO
This Dutch-financed documentary about an Indonesian family in a favela in Jakarta spans approximately two years and is apparently the final film in a trilogy. Director Leonard Retel Helmrich seems to have chosen this family because it is a microcosm for many of the challenges of modern life in Indonesia. But the movie also brings up many more first-world questions.
Continue reading “A 3-Generation Ascend Up the Social Ladder” »
MOVIE REVIEW
The Vow (2012)
Kerry Hayes/Screen Gems
Disclaimer: Nicholas Sparks had nothing to do with the production of this film. Such a warning is necessary before examining “The Vow,” because all of the movie’s marketing begs potential viewers to believe they are about to see some second coming of “The Notebook.” This type of ploy may result in financial success in the coming weeks: Valentine’s Day is close by; and the two leads — Rachel McAdams and Channing Tatum — have previously succeeded in Nicholas Sparks adaptations. But, herein lies the most crucial problem with “The Vow”: The obligation to a specific target audience steers the plot into chick-flick territory that has been mechanically repeated into monotony.
Continue reading “Forgive and Forget” »
MOVIE REVIEW
Safe House (2012)
Universal Pictures
Clichés in “Safe House”: skilled C.I.A. agent gone rogue, naïve rookie agent with superb talents, bureaucratic director, gruff and mysterious senior officer, unnecessary blonde girlfriend, shaky camera, fight sequences with quick cuts, an obligatory car chase, poor character development, a double cross, a triple cross, an action-thriller without thrills, boredom.
Most of the film’s opening act focuses on the illegal trade of a high-security file in South Africa. The buyer is Tobin Frost (Denzel Washington), a rogue C.I.A. agent who is also wanted for treasonous activities in ten different countries. Frost plans to sell the ambiguous file for millions of dollars on the black market, but he is ambushed by armed men and only escapes death by turning himself in at the American embassy.
Continue reading “Don’t Leave the Safety On” »