MOVIE REVIEW
United Red Army (2008)
Masayuki Kakegawa/Wakamatsu Production
“United Red Army” is a colossal recounting of how the 1960s student movement disintegrated from radical to extremist, with comrades in arms in the midst of a period of prolonged inaction at a remote training camp eventually giving up on daily drills to figuratively reenact “Lord of the Flies” — but with a much higher body count. The film is noteworthy because director-co-writer Koji Wakamatsu self-financed and distributed the $2.4-million production, defying a system and a culture that would rather forget uglier episodes in the nation’s history such as the Nanking Massacre.
Continue reading “Clipping the Ultra-Left Wing” »
MOVIE REVIEW
The Tree of Life (2011)
Merie Wallace/
Fox Searchlight Pictures
It’s the new Terrence Malick! It’s the Palme d’or winner! It’s Harmony Korine-meets-Stanley Kubrick! It’s the entire “Lost” series pared down to two hours and 18 minutes! Or — as some loudmouth overheard at another press screening put it — it’s two hours and 18 minutes of computer screen saver! Granted, the said loudmouth also believed Dominique Strauss-Kahn was set up. All joking aside, it’s interesting to see that even after his heirs apparent — namely, Mr. Korine and David Gordon Green — have respectively moved on to experimental video and Hollywood trash in the time span between two Malick projects, the old maestro continues to bear his own torch.
Continue reading “As the New World Turns” »
MOVIE REVIEW
Beginners (2011)
Focus Features
Sober and unsentimental, “Beginners” matter-of-factly dissects the life traps of a commitment phobe through his fuzzy recollections of childhood trauma and his late father’s coming out. But precisely because of its earnestness, the film is easily one of the most moving moviegoing experiences this year alongside the equally fascinating “The Arbor.” Coincidentally, both involve unloving families leaving their members scarred for life. But these films aren’t as bitter and cathartic as one might expect. In fact, they reach the kind of epiphanous wisdom that generally seems only attainable through years of therapy.
Continue reading “After a False Start, a Second Chance at Love” »
MOVIE REVIEW
Tuesday, After Christmas (2010)
Lorber Films
The latest entry in the Romanian New Wave canon, “Tuesday, After Christmas” is curiously devoid of Romanian characteristics. In fact, if you know nothing about it from the outset, the film won’t even strike you as Romanian until actor Dragoş Bucur appears in a minor role and makes a self-referential in-joke about “Police, Adjective,” a film he starred in.
Continue reading “I’ll Be a Home Wrecker for Christmas” »
MOVIE REVIEW
Attack the Block (2011)
Optimum Releasing
It turns out the British sci-fi horror genre blender “Attack the Block” is largely a virginal affair. Most of the main players — including the writer-director, cinematographer, composer and a handful of young unknown actors — have never done a feature film before. And because of the relative inexperience of the cast and crew and the possibility the lack of season could have led to a complete disaster on screen, this film deserves some degree of kudos for being halfway decent. But mediocrity can only be praised so much.
Continue reading “Do Be a Menace to South London” »
MOVIE REVIEW
Midnight in Paris (2011)
Roger Arpajou/Sony Pictures Classics
Critics must have desperately yearned for Woody Allen’s return to form, or else they wouldn’t have been reflexively hailing his every offering in the last decade as a return to form regardless of merit. Occasionally Mr. Allen has seemed happy to oblige, such as finally revisiting his fabled Manhattan with “Whatever Works” after a self-imposed four-year European exile. Although he has crossed the Atlantic yet again for his latest, “Midnight in Paris” deliberately channels the same deep-rooted fascination with the storied 1920s as did “Zelig,” “Bullets Over Broadway” and “Sweet and Lowdown.”
Continue reading “In an Ivory Eiffel Tower” »
MOVIE REVIEW
Pirates of the Caribbean: On Stranger Tides (2011)
Peter Mountain/Disney Enterprises
The “Pirates of the Caribbean” franchise returns with its fourth installment “On Stranger Tides” without director Gore Verbinski or stars Orlando Bloom and Keira Knightley onboard. In their place we have Rob Marshall at the helm and Penélope Cruz and Ian McShane joining veterans Johnny Depp, Geoffrey Rush and Kevin McNally. Although screenwriters Ted Elliott and Terry Rossio — who scripted the first three installments — are also back, “On Stranger Tides” is a bit of a, well, shipwreck.
Continue reading “Spoiling the Ship for a Ha’p’orth of Tar” »
MOVIE REVIEW
Bridesmaids (2011)
Suzanne Hanover/Universal Studios
Annie (Kristen Wiig) is having a bad time. Her bakery recently folded and she lost a lot of money, so she's working an awful jewelry-store job her mom (Jill Clayburgh in her final role) got her as a favor. She lives with two weird British siblings (Matt Lucas and scene-stealing Rebel Wilson) where she's behind on the rent. Her mom is nice, but their relationship is a little fraught. And the guy she's "seeing," Ted (an uncredited — and hilarious — Jon Hamm), is a total prick.
So it's no surprise she is not entirely pleased that her best friend since childhood, Lillian (Maya Rudolph) is getting married. And she's even less pleased to learn that, through the engagement, Lillian has gained entry into a world of country-club membership, tennis matches and couture from which she has been kept away. This world is the natural home of Helen (Rose Byrne), Lillian's new best friend, whom Annie hates on sight. Annie is the maid of honor — but who is she really?
Continue reading “Swallowing the Bride’s Prejudice” »
MOVIE REVIEW
Submarine (2011)
Dean Rogers/The Weinstein Company
Oliver Tate — the 15-year-old protagonist played by Craig Roberts in Richard Ayoade’s feature-length directorial debut “Submarine” — expresses one of his desires to the audience early on in the film through voice-over narration: “I suppose it’s a bit of an affectation, but I often wish there was a film crew following my every move.” It’s a (sort of) clever gag since Mr. Ayoade is doing just that during the film’s 97-minute running time, and it’s also a standard representation of the type of comedy to follow: quirky, droll, almost mature, supposedly original. But while this kind of comedic bildungsroman has been repeatedly overdone, what saves “Submarine” from becoming the ugly sister to “Napoleon Dynamite” is its smart and strongly developed central character.
Continue reading “Accidents Will Happen, Even When Love Is by Design” »
MOVIE REVIEW
Love Like Poison (2010)
Films Distribution
There is a disturbing recent trend in French cinema regarding teenage actresses, their bodies and the exploration of their sexuality as the plot of a film and the camera's exploration of their flesh as the milieu. This trend has, one hopes, achieved its apex in "Love Like Poison," a story so confused and degrading that the only sympathetic, normal character is a priest.
Continue reading “Besides Adulthood, Nothing Is Confirmed” »