Eating Disorder

The Orchard

The Dinner (2017)

The third film adaptation of Herman Koch's eponymous novel (following Menno Meyjes's 2013 "Het Diner" and Ivano De Matteo's 2014 "I nostri ragazzi"), Oren Moverman's "The Dinner" indeed plays out like a European art thriller — perhaps one by Thomas Vinterberg (despite that he's Danish and Mr. Koch is Dutch).

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Estranged Bedfellows

Robb Rosenfeld/A24

The Lovers (2017)

In "The Lovers," Debra Winger and Tracy Letts play wife and husband on the brink of divorce, keeping up appearances for the sake of a visit from their son and his girlfriend. Suffering symptoms of midlife crises and ennui, Mary (Ms. Winger) and Michael (Mr. Letts) absent-mindedly drift through their workaday obligations just so they can make excuses to each other to spend time with and pacify their respective long-suffering, ultimatum-giving paramours. As the extramarital affairs grow increasingly tedious, Mary and Michael inexplicably rekindle their passion for each other — which their son, Joel (Tyler Ross), interprets as a façade presaging the marriage's inevitable dissolution.

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Brexit Stage Left

Phil Fisk/IFC Films

The Trip to Spain (2017)

The third installment of the Steve Coogan-Rob Brydon-Michael Winterbottom BBC Two/Sky Atlantic six-part sitcom and companion abridged big-screen version, “The Trip to Spain” reunites the comedians and filmmaker for more culinary samplings, showbiz inside baseball, celebrity impersonations and narcissistic midlife crises. Their journey encompasses Getaria, Sos del Rey Catolico, Cuenca, La Mancha, Granada and Malaga in the titular country, this time with extra braggadocio from Mr. Coogan boasting his Oscar nod for “Philomena” and extra envy from Mr. Brydon toward James Corden’s newfound success as a talk-show host in America.

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Requiem pour un fou

Jean-Claude Lother/Pathé

Rock'n Roll (2017)

Guillaume Canet directs, co-writes and stars in "Rock'n Roll," a navel-gazing musical satire on the French film industry that centers on him and real-life partner, Marion Cotillard.

After a much-younger costar (Camille Rowe) breaks the news to him that he's no longer a cinematic sex symbol, the plot thrusts Guillaume (Mr. Canet) into full midlife crisis, partying and carousing until embarrassing cell phone footage of his debauchery ends up on YouTube and shooting up Botox to a point that jeopardizes the continuity of his new film. He's still able to line up directorial projects thanks to his Oscar-winning girlfriend, Marion (Ms. Cotillard), but she's preoccupied with mastering a Quebecois accent (and doing Céline Dion tributes) in preparation for an upcoming film role.

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Unsung Heroes

2016 Tribeca Film Festival

Bad Rap (2016)

The documentary “Bad Rap” encapsulates the travails of Asian-American rappers striving to make their voices heard. Some profiled here are relatively well known, most notably Awkwafina, who has parlayed her viral hit into VH1 punditry and bit movie roles. Another is Dumbfounded, an underground artist who recently garnered mainstream attention spitting verses on #OscarsSoWhite and #WhitewashedOut with the viral track “Safe.” Jin, the first Asian-American rapper to score a major label deal following an impressive freestyle-battle winning streak on BET, gets honorable-mention treatment.

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Part Company

Emmanuel Guionet/2016 Tribeca Film Festival

Reset (2017)

The documentary “Reset” recounts Benjamin Millepied’s brief tenure as the director of dance at the Paris Opera Ballet. Mr. Millepied rose to fame as a principal at the New York City Ballet, and went on to found the L.A. Dance Project and choreograph Darren Aronofsky’s “Black Swan.” But he remained an outsider to the Paris Opera Ballet for not having risen within its ranks.

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Suspicious Minds

Steve Dietl/Bleecker Street

Elvis & Nixon (2016)

Extrapolating entirely from a photo of Richard Nixon and Elvis Presley shaking hands in the Oval Office, “Elvis & Nixon” reimagines the events leading up to the curious meeting between the king of rock and roll (Michael Shannon) and the disgraced former president (Kevin Spacey). Suffice it to say, there’s less value to the history lesson on offer here than, say, the one from “Frost/Nixon.”

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Forlorn This Way

David Bornfriend/A24

Moonlight (2016)

"Moonlight" depicts the coming-of-age of a gay black man in three chapters, each taking its heading from the moniker he goes by during that distinct phase in his life and representing a corresponding metamorphosis.

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The Son's Gloom

Alberto Novelli/Alchemy

Mia madre (2016)

After a political streak with “The Caiman” and “We Have a Pope,” Nanni Moretti returns to an intimate portrait of the grieving process that recalls his 2001 Cannes winner, “The Son’s Room.” “Mia madre” recounts Italian filmmaker Margherita (Margherita Buy) becoming increasingly preoccupied with her ailing mother, Ada (Giulia Lazzarini), and adolescent daughter, Livia (Beatrice Mancini), while directing a high-profile project with pompous and flamboyant Hollywood hotshot Barry Huggins (John Turturro) attached.

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Sketches of Pain

Brian Douglas/Sony Pictures Classics

Miles Ahead (2016)

The Miles Davis biopic “Miles Ahead” seems less a treatise on the jazz trumpter’s enduring artistry and legacy than a showcase for its star-director-co-writer, Don Cheadle.

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