MOVIE REVIEW
My Winnipeg (2008)
Jody Shapiro/IFC Films
The official story is that “My Winnipeg”
is Guy Maddin’s first documentary, commissioned by the Documentary Channel as a
portrait of the director’s hometown and a memoir of his childhood roots.
Straight-faced press releases describe Mr. Maddin’s qualms that the exacting
demands of discipline and patience in the documentary form had put him off
tackling one until now. Not for the first time, Mr. Maddin is having you on.
For one thing, Mr. Maddin has rarely
produced anything that could be called conventional fiction. His trademark recreations
of silent movie conventions and fervent spiking of the wheels of his own narratives
with off-kilter surrealist kinks have long since moved him away from being any
kind of mainstream storyteller. They’ve not demonstrated any lack of discipline
or patience, either.
And for another thing, “My Winnipeg”
isn’t unprecedented even in Mr. Maddin’s recent output. It’s a clear cousin of
“Brand Upon the Brain,” which swam in similar waters and likewise featured
futile attempts by somebody named Guy Maddin to escape from his own history while
weighed down with a few tons of mother-fixation. But the biggest give away is that “My
Winnipeg” is a scream. “Brand Upon the Brain” presented the Maddin family as
Manitoba’s token oddballs, an island of lunacy in the snowy Canadian landscape.
“My Winnipeg” feigns to draw a broader conclusion: The place is just nuts.
Hence we learn that Winnipeg is the
sleepwalking capital of the world – or rather we learn this again, sleepwalkers
having shambled through Mr. Maddin’s previous movies more than once. We discover
that it is the location of the world’s smallest park (a single tree on a tiny
traffic island), and that a group of dead horses frozen up to their necks in a
river formed a popular picnic spot. We witness somebody named Guy Maddin
(Darcy Fehr this
time) attempt to work through his familial issues by hiring actors to recreate scenes
from his childhood in his old family home, complete with the current resident
who refuses to leave during filming.
As Mr. Maddin’s stand-in rides in a train full of fitfully slumbering fellow escapees, accompanied
by a dreamy voice over from the actual real Guy Maddin, street scenes rather
than railways pass by the windows in grainy back projection. The train rumbles
on, clearly all set to roll for eternity without leaving the province.
Rationale for all this is vaguely laid on Winnipeg’s psycho-geography, its
location at “the heart of the heart of the continent,” and the significant
resemblance between the city’s layout and the naked female lap.
It’s an easy film to like, a intoxicating
80 minute canter that doesn’t linger on any one conceit long enough to let you fret
too much. While you’re still wondering about those horses, it’s back to the
Maddin family sitcom in time to see his sister threaten his mother with a
parakeet. But even a Maddin fan might have to
admit that there’s a limit to the mileage he can get out of this line of
enquiry, and this might be it. With less thematic weight than “Brand,” “My Winnipeg” is even easier to dismiss as the doodling
of a gifted cinematic prankster, and the kind of potency Mr. Maddin conjured in
“The Saddest Music in the World” in 2003 is starting to seem a long time ago.
According to the film, Winnipeg’s only
local TV production was a daily soap opera called “Ledge Man,” in which the main
character threatens to jump from the ledge of his mother’s apartment in every
episode. The actor standing on the ledge is indeed Mr. Fehr. I love some of
the things that have crossed Mr. Maddin’s mind up there, but I think it might be
time for someone to talk him down.
MY WINNIPEG
Opened on June 13 in New York and on July 4 in Britain.
Conceived and directed by Guy Maddin;
director of photography, Jody Shapiro; edited by John Gurdebeke;
production designer, Rejean Labrie; produced by Mr. Shapiro and Phyllis
Laing; released by IFC Films (United States) and Soda Pictures (Britain). Running time: 1 hour 20 minutes.
WITH: Darcy Fehr (Guy Maddin/Ledge Man), Ann Savage (Mother),
Amy Stewart (Janet Maddin) and Louis Negin (Mayor Cornish).
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