Critic's Notebook

Down That Long, Loathsome Highway

MOVIE REVIEW
Home (2008)

By ALAN DIMENT

Soda Pictures

Some of you may feel that you live in a noisy neighborhood, but the family at the center of "Home" has really got problems. Its charmingly chaotic abode is located in the French countryside with no other buildings in sight. But sadly, it is also positioned slap bang on the side of a freeway which cuts an asphalt scar through the endless expanse of verdant field. This does not prove too much of an issue at first as the road is disused, work on it being inexplicably abandoned some 10 years before.

The brood - mother, father, two daughters and a son - has spilled out beyond the boundaries of its four walls onto the deserted highway, littering it with domestic debris including toys, white goods and even a satellite dish. This liberal-minded clan is very close. The members hold family meetings in the bathroom while their teenage daughter takes her ablutions. On hot summer evenings – which are plentiful – they sit together on a sofa in the garden watching television like an alfresco Simpsons.

Between Love and Marriage, Something's Gotta Give

MOVIE REVIEW
Cloud 9 (2008)

By ALAN DIMENT

Soda Pictures

When it comes to the perennially prickly subject of sex and nudity on the cinema screen, opinion may be divided into three broad camps: those people who regard celluloid sex as wholly offensive and unacceptable, people who see such things as just part of modern filmgoing, and a certain contingent who regard on-screen copulation as a prerequisite to a fulfilling movie experience. Presumably this latter group prefer its bare flesh to be served tight, toned and youthful. In which case those filmgoers are in for a surprise if they watch “Cloud 9,” lured in by the promise of some steamy action. There is plenty of skin on show here, but it is all proudly wrinkled, saggy and well past 60.

Love and Habeas

MOVIE REVIEW
Anything for Her (2008)

By ALAN DIMENT

Mars Distribution

The writer and director Fred Cavayé is not a man given to idle dawdling. Within 10 minutes of setting up the perfect Parisian lives of his lead characters in “Anything for Her,” he swiftly tears them apart by having the gendarmes come crashing through their apartment door. Up to this point, the couple – mild-mannered teacher Julien (Vincent Lindon) and his beautiful wife Lisa (Diane Kruger) – were blissfully happy. In spite of having a three-year-old son, they find the time and energy to make love with the enthusiasm of a pair of adolescents but with decidedly more panache. Well, they are French after all.

The Burden on Those Left Behind

MOVIE REVIEW
Fugitive Pieces (2008)

By ALAN DIMENT

N. Nikolopoulos/Samuel Goldwyn Films

There is a certain air of familiarity surrounding “Fugitive Pieces,” which – thematically at least – treads similar ground to one of the year’s more successful releases, “The Reader.” Both films are based on much-lauded novels and concern a middle-aged, academic type coming to terms with a past which has been blighted, in some way, by Nazi atrocities. In “The Reader,” Ralph Fiennes played a lawyer mentally haunted by the woman who was his first love and the subsequent revelations of her true nature. Meanwhile in “Fugitive Pieces,” a writer named Jakob (Stephen Dillane) is obsessed with the fate of his older sister, who was seized by German soldiers and taken to an unknown but certainly tragic end.

I'll Be There for You, Literally

MOVIE REVIEW
Management (2009)

By ALAN DIMENT

Suzanne Hanover/Samuel Goldwyn Films

If, as some people believe, that the best comedy is grounded in truth, then it is no wonder that “Management” falls so flat on its face. The film begins with an unbelievable scenario and then proceeds to get progressively sillier as it goes along. Not that there is anything inherently wrong in silly - Monty Python made a pretty good career out of it - but it needs to work in conjunction with “funny” to be successful, and “funny” is not a word that springs to mind in the case of “Management.”

Forbidden Fruit in the Cement Garden

MOVIE REVIEW
Delta (2008)

By ALAN DIMENT

The Times BFI 52nd London Film Festival

When the young female lead in a film is introduced wearing an apron splattered with pig’s blood, it is a sure indication that the next 90 minutes are not likely to send you out of the cinema wiping tears of mirth from your cheeks. So it is with “Delta,” an on the whole downbeat experience, but a very rewarding one for those willing to make the effort.

Keeping a Friend Close as Enemies Get Closer

MOVIE REVIEW
Flame & Citron (2008)

By ALAN DIMENT

The Times BFI 52nd London Film Festival

The eponymous anti-heroes of this stylish and exciting thriller from Ole Christian Madsen were never mentioned in any history lesson that I ever took. Otto Von Bismarck, Winston Churchill and even the Venerable Bede were all present and correct during my studies but not "Flame & Citron." The latter might console themselves from beyond the grave with at least being well known in their native Denmark.

Smelling the Forgotten Roses

MOVIE REVIEW
Gardens in Autumn (2006)

By ALAN DIMENT

Artificial Eye

A rather beautiful leopard appears in the film "Gardens in Autumn," languishing in the white and gold opulence of the home of government minister Vincent (Séverin Blanchet). There are animals everywhere, in fact, but this particular beast - Otar Iosseliani, the film’s writer and director, has claimed - symbolizes power, in much the same way as the ancient kings would keep menageries of the rare and wild within their palace walls.

In some ways the leopard also reflects the nature of the film itself as it remains rather tame throughout, casting a sly eye over proceedings rather than surrendering to more savage instincts and letting rip with tooth and claw. Likewise, "Gardens in Autumn" is a droll, gentle film which pokes a satirical tongue out at the world of work and politics without being sharp enough to suggest anything that is not already universally familiar.

'Slumdog' Has Its Day at British Independent Film Awards

By ALAN DIMENT

Angelo Valentino/British Independent Film Awards

Danny Boyle found himself in an especially cold and wet part of London on the evening of Nov. 30 but his thoughts were clearly further afield. One would have expected him to be entirely jubilant, considering he had just picked up both the “Best British Film” and “Best Director” prizes at the British Independent Film Awards for “Slumdog Millionaire.” The film was shot on location in Mumbai which had made headlines the previous week for far more tragic reasons as real life scenes of terrorist violence were played out on its streets. Mr. Boyle was mindful that his film had gained a sense of topicality that no sane man would ever have wished for.

Lovers of the Arctic Circle

MOVIE REVIEW
Far North (2007)

By ALAN DIMENT

Celluloid Dreams

The number of films shot on location in the Arctic could be counted on the blackened fingers of one frost-bitten hand. Hardly surprising, really, given the trials involved in working there. The makers of "Far North" filmed in Svalbard, one of the world’s most northern settlements, enduring night temperatures of minus 40 degrees Fahrenheit and the ever present threat of becoming a polar bear’s lunch.