MOVIE REVIEW
Cloud 9 (2008)
Soda Pictures
When it comes to the perennially prickly subject of sex and nudity on the cinema screen, opinion may be divided into three broad camps: those people who regard celluloid sex as wholly offensive and unacceptable, people who see such things as just part of modern filmgoing, and a certain contingent who regard on-screen copulation as a prerequisite to a fulfilling movie experience. Presumably this latter group prefer its bare flesh to be served tight, toned and youthful. In which case those filmgoers are in for a surprise if they watch “Cloud 9,” lured in by the promise of some steamy action. There is plenty of skin on show here, but it is all proudly wrinkled, saggy and well past 60.
Continue reading “Between Love and Marriage, Something’s Gotta Give” »
MOVIE REVIEW
Echoes of Home (2007)
Polyfilm Verleih
Folk music has a difficult time of it in this modern world. There’s the need to preserve the old sounds and traditions, but also the need to make them relevant to people now. Without contemporary interest, the music is reduced to museum status and the performers to archivists, but when the music is moved forward into a modern style, it becomes something new and more uncategorizable.
“Echoes of Home” is about three Swiss musicians who are caught between these two conflicting needs. The traditional music of Switzerland is yodelling – the perfect way to ensure sounds and messages are carried across the enormous mountain ranges, and up and down the valley. But this specific need of theirs speaks to something wider within their culture. As demonstrated by the eager mature students featured in an evening class, yodelling seems to be an excellent way for the proper, polite Swiss to really let rip.
Continue reading “Yelp It From the Rooftops” »
Daryl Pittman/S&Z Productions
The Edinburgh International Film Festival 2009 ended with the news that ticket sales were up on the previous year, proving that the move from August to June was helping the festival carve out a new mid-year identity as the organizers intended. The move has also clearly raised the event's appeal to mainstream distributors arranging their summer schedules, with many of the big-ticket items using Edinburgh as a springboard for a wide release shortly after the festival closes. Whether this is putting the squeeze on the number of smaller and quirkier films here will be a point worth watching.
Continue reading “Edinburgh ’09: Antichrist and Antipasto Giallo at Auld Reekie” »
MOVIE REVIEW
Public Enemies (2009)
Peter Mountain/Universal Studios
“Public Enemies,” Michael Mann’s latest opus of organized crime, will divide its viewers into two camps. They will consist, respectively, of those who support the application of the harsh, grainy digital cinematography – that has become his preferred method of working – to a period piece and those who do not.
Continue reading “Being Hit by a Smooth Criminal” »
MOVIE REVIEW
Spread (2009)
2009 Sundance Film Festival
A timely satire of Los Angeles's young and shameless could and should have worked, but "Spread" is not that film. This one is a heavy-handed sex comedy that starts off weak and ends up as an outright bad idea. It features a parade of beautiful people being horrible to each other half-dressed and then going to bed to be more horrible to each other in the nude, but despite this it's hard to work up much enthusiasm. The film's real message seems to be that producer and star Ashton Kutcher would like to be Warren Beatty, and if you can handle that concept then kudos to you.
Continue reading “Boogie Nights on Sunset Boulevard” »
MOVIE REVIEW
The Missing Person (2009)
Strand Releasing
The contradictions in Noah Buschel's modern-dress noir, "The Missing Person," are all honed to a fine edge. Its booze-sodden, hard-boiled private dick can't comprehend the concept of a camera phone but can still discuss the finer points of Stravinsky with the Feds. The grizzled cabbie in the California desert turns out to be a New Yorker and a big admirer of Frank Serpico. And what looks like a general noirish rigmarole of dames, trains and automobiles actually hinges not just on the human catastrophe of New York's blackest day, but on the redemptive power of American art. It's a noir for the ages, and it's a treat.
Continue reading “Vanishing Within a Trace” »
MOVIE REVIEW
Fish Tank (2009)
Festival de Cannes
The inconvenient truth about films which prize naturalism above all else is that they can easily meet theatricality coming back the other way. There are elements in Andrea Arnold's "Fish Tank" that set it above any previous British kitchen-sink drama, most especially a depiction of young female sexuality handled more deftly than a male director would manage, whatever his documentary credentials. But set against that, the film clanks to a halt at regular intervals to indulge stereotypes so familiar that you wonder what exactly Ms. Arnold was after.
Continue reading “Taking the Jailbait” »
MOVIE REVIEW
The Stoning of Soraya M. (2009)
MPower Pictures
A simple purpose underlies “The Stoning of Soraya M.,” fulfilled without distractions by director Cyrus Nowrasteh. Based on the 1994 novel by Freidoune Sahebjam, it’s a streamlined, real-time depiction of the true event promised by the title: the brutal communal stoning of a woman that took place in newly post-revolutionary Iran. A fervent outcry against the abuses subjected on women not only in Iran – with which we’ve all become familiar during the past two weeks – but throughout much of the world, it successfully provokes feelings of uncontrollable outrage.
Continue reading “Let He Who is With Sin Cast the First Stone” »
MOVIE REVIEW
Quiet Chaos (2008)
Chico De Luigi/IFC Films
Sandro Veronesi’s bestseller about a widower coming to terms with the accidental death of his wife serves as the basis for Antonello Grimaldi’s eponymous “Quiet Chaos.” But with Nanni Moretti scripting and starring, the film inevitably seems like an afterthought inspired by “The Son’s Room,” Mr. Moretti’s own much-lauded take on the grief process. The two films share thematic threads, but Mr. Grimaldi has extended every strand by a mile, including the tangential ones. Some manifestations of the mourning presented in “Quiet Chaos” do register as observant, while others strike as way off topic.
Continue reading “Good Grief Hunting” »
MOVIE REVIEW
Surveillance (2008)
Magnet Releasing
To say that Jennifer Lynch’s “Surveillance” is a chip off the old Lynchian block is alternately misleading and accurate. Whereas the films orchestrated by her auteur father, David, disturb by turning the viewer’s brain into a battered punching bag, “Surveillance” achieves a similar feeling of psychological unease in a much more coherent manner. The film is a deviant surprise, an unwavering hell ride from the mind of a once left-for-dead filmmaker. After the critical drubbing and box-office tanking of her 1993 debut, “Boxing Helena,” Ms. Lynch hadn’t exactly put her name on the list of tomorrow’s best filmmakers. In fact, her name had become somewhat of an afterthought, one of the many examples of unsuccessful nepotism. “Surveillance’s” paralyzing tone and controlled ultra-violence, however, show that Ms. Lynch has emerged from Hollywood’s time-out corner with a vengeance.
Continue reading “Uncovering Clues on the Lost Highway” »