Critic's Notebook

MOVIE REVIEW
Fish Tank (2009)

By TIM HAYES

Festival de Cannes

The inconvenient truth about films which prize naturalism above all else is that they can easily meet theatricality coming back the other way. There are elements in Andrea Arnold's "Fish Tank" that set it above any previous British kitchen-sink drama, most especially a depiction of young female sexuality handled more deftly than a male director would manage, whatever his documentary credentials. But set against that, the film clanks to a halt at regular intervals to indulge stereotypes so familiar that you wonder what exactly Ms. Arnold was after.

Continue reading “Taking the Jailbait” »

MOVIE REVIEW
Inglourious Basterds (2009)

By TIM HAYES

Francois Duhamel/The Weinstein Company

First and foremost, “Inglourious Basterds” is better than “Death Proof” – but then it would be some feat if it had actually been worse. This time, Quentin Tarantino's self-indulgence is relatively corralled, thanks to a bunch of voluntary narrative restraints that pretty much force the director to calm down. In “Death Proof,” Mr. Tarantino was in your ear constantly, fidgeting and giggling and nudging you in the ribs. There are whole stretches of “Basterds” where he shuts up. It must have been an almighty effort.

The problem is that he's achieved this zen condition by being relatively conventional. Or as conventional as a man with his crazy ear for speech patterns and keen eye for the female instep could ever be, when making a WWII epic set in a Nazi-occupied sector of the Twilight Zone.

Continue reading “Triumph of the Ill Will” »

By ALAN DIMENT

Angelo Valentino/British Independent Film Awards

Danny Boyle found himself in an especially cold and wet part of London on the evening of Nov. 30 but his thoughts were clearly further afield. One would have expected him to be entirely jubilant, considering he had just picked up both the “Best British Film” and “Best Director” prizes at the British Independent Film Awards for “Slumdog Millionaire.” The film was shot on location in Mumbai which had made headlines the previous week for far more tragic reasons as real life scenes of terrorist violence were played out on its streets. Mr. Boyle was mindful that his film had gained a sense of topicality that no sane man would ever have wished for.

Continue reading “‘Slumdog’ Has Its Day at British Independent Film Awards” »

MOVIE REVIEW
Hunger (2008)

By MARTIN TSAI

IFC Films

Winner of "Camera d’or" at Cannes Film Festival, British film artist Steve McQueen’s feature debut, “Hunger,” is perhaps the best cinematic treatment yet of the Irish Troubles. Indeed, just as Terry George and Jim Sheridan’s “Some Mother’s Son,” Mr. McQueen’s film revolves around the 1981 hunger strike led by the late Irish Republican Army volunteer and British parliament member Bobby Sands. But it ultimately achieves radically different results. While Mr. George’s beat-you-over-the-head approach was instantly forgettable, Mr. McQueen’s abstract yet visceral take on the same events truly gets under the skin.

Continue reading “Pound of Flesh as Bargaining Chip” »